
Mizuma Art Gallery is delighted to announce KANEKO Tomiyuki’s solo exhibition Savage Deities, opening on 5th April 2017. Taking place six years on from his solo exhibition Yokai Substantiations at Mizuma Action (in Nakameguro), this will be his first show at Mizuma Art Gallery in Ichigaya.
Since his childhood Kaneko Tomiyuki has held a deep interest in the spiritual worlds of different localities. Attracted by the atmosphere of Japan’s Tōhoku region, he studied Nihonga (Japanese-style painting) at Tōhoku University of Art and Design. With a focus on phantoms, spirits and deities, in his practice he continues to develop the materialization of spiritual existences that cannot be seen with the human eye, working from a base in Yamagata, also of the Tōhoku region. In 2015 under the aegis of the Program of Overseas Study for Upcoming Artists organized by the Japanese Government’s Agency for Cultural Affairs Kaneko travelled to Cambodia’s Siem Reap region, best known for the Angkor Wat temple complex. There he encountered sculptural art from the Hindu, Theravada Buddhist and animist traditions, inspiring him to amass a number of sketches and other works. His work was used as the main visual image for the National Art Center’s recently concluded and highly acclaimed DOMANI exhibition, and even within the content of the group show it left a lasting impression.
This exhibition Savage Deities focuses upon the dragon-king and Shinto deity Kuraokami, who is said to govern over water. Kaneko challenges himself, by the manifestation of their mighty power, to create the physical materializations of the deities who are the objects of his reverence. The force of their magnificent strength, which ordinarily remains hidden from us, is something that has come to be sensed by human beings through the experience of actions transcending generations, and has been expressed in a wide variety of forms throughout history. Even as each generation has been overwhelmed by this massive strength, for we, who have tried as hard as possible until today to link together the generations, these Savage Deities whose power overwhelms that of humans are surely yet still beings we must revere; we must coexist with them, and never forget their presence. This exhibition will feature a small space like that of the artist’s own atelier, and the sketchbooks that form the background to his practice will also be shown. We look forward to welcoming you to this unique opportunity to view the works of Kaneko Tomiyuki, who continues to gaze into the deepest depths of phantoms and deities, and to manifest them within the world of visual depiction.
Tomiyuki Kaneko (b. 1978, Saitama, Japan) graduated with a PhD in Japanese painting from the Graduate School of Tohoku University of Art & Design, Yamagata prefecture in 2009. Kaneko continuously challenges himself by exploring themes that many nihonga (Japanese painting) artists avoid, such as yokai (supernatural creatures), specters and deities—making him a truly unique presence even within the diverse field of contemporary nihonga. Having been fascinated by the unique traditional deities and yokai of particularly localities since early childhood, and sensing the presence of unseen, unknown beings in nature, Kaneko aspired to become a nihonga painter to express this spiritual world. Today, he lives and works in Yamagata, where he continues to explore not only depictions of yokai, specters, demons and deities from mythology, but also spiritual beings rooted in Buddhist and Hindu theology.



Executive Director Sueo Mizuma established Mizuma Art Gallery in Tokyo in 1994. Since then, the gallery has continuously presented artists from Japan and, increasingly, from the surrounding region whose works demonstrate distinctive sensibilities, unaffected by fleeting stylistic trends.

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