
Mizuma Art Gallery is pleased to present a solo exhibition by YAMAMOTO Ryuki, opening on Wednesday, 10 December 2025.
For many years, Yamamoto devoted himself primarily to self-portraiture. Following experiences such as his artist residency in Indonesia and his work illustrating a serialised newspaper novel, he has in recent years increasingly turned his attention to depicting the people, beyond his own family, and animals around him.
Among his new subjects are Shiba dogs, symbols of timidity and obedience, for whom the artist admits a certain emotional affinity. There are cats, majestic beings who, unlike the humans confined indoors during the pandemic, roamed freely across our man-made boundaries, curling up wherever they pleased. And there are the Angora rabbits, soft and fluffy, symbols of peace and happiness.
In contrast to our own small and uncertain selves, struggling each day under the flags of various kinds of egoism, drifting without knowing about what or with whom we are fighting, these creatures stand calm and unwavering, portrayed on a grand scale. The seemingly small and fragile diversity of life is embraced, at the genetic level, within a broad and generous stability, and the world continues on, governed by the laws of impermanence and change.
Through years of painting self-portraits, Yamamoto has arrived at a depiction of the world that might be called a humorous mandala. We warmly invite you to experience it in this latest exhibition.





YAMAMOTO Ryuki (b. 1976, Mie, Japan) graduated with a BFA from the Tokyo Zokei University in 2001. Known for his overwhelming compositions and incredibly detailed self-portraits. He won the Outstanding Award at The 8th Taro Okamoto Memorial Award for Contemporary Art in 2005. He lived and worked in Beijing, China in 2011–12 with a grant from the Pola Art Foundation. After a residency in Yogyakarta, Indonesia in 2015, he lives and works in Tokyo today.
Executive Director Sueo Mizuma established Mizuma Art Gallery in Tokyo in 1994. Since then, the gallery has continuously presented artists from Japan and, increasingly, from the surrounding region whose works demonstrate distinctive sensibilities, unaffected by fleeting stylistic trends.

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