
Pace is pleased to present Irving Penn: Kinship, an exhibition of work by the famed photographer Irving Penn, curated by artist Hank Willis Thomas, at its 508 West 25th Street gallery in New York.
On view from November 15 to December 21, this show will spotlight works produced by Penn throughout his 70-year career, including selections from his Worlds in a Small Room series, his iconic portraits of artists, actors, and writers, and other genres of his images. These photographs will be exhibited within an installation designed by Thomas to replicate a structure that Penn used to photograph many of his high-profile subjects.
Working for Vogue for nearly 70 years, Penn left an indelible mark on the history of photography. His inventive fashion photographs, which transformed American image-making in the postwar era, continued to appear in the magazine up until his death in 2009. The artist was also highly accomplished and experimental in the darkroom, having engineered, among other innovations, a complex technique for making platinum-palladium prints.
A trained photographer, Thomas, widely known for his galvanizing public works around the US, is deeply interested in both the making and consumption of images. His investigations into subjectivity and perception inform his work in photography and other mediums, including sculpture, screenprinting, video, and installation. Penn’s Worlds in a Small Room works—for which he journeyed to Cuzco, Crete, Extremadura, Dahomey, Cameroon, San Francisco, Nepal, New Guinea, and Morocco to capture people’s portraits within a tent he used as a portable studio—have been particularly influential for Thomas, who was part of the artistic team behind the traveling, participatory installation In Search of the Truth (The Truth Booth), which debuted in 2011 and has since been presented around the world.
Irving Penn (1917–2009) was born in Plainfield, New Jersey. From 1934–1938, he studied design with Alexey Brodovitch at the Philadelphia Museum School of Industrial Art. Following a year painting in Mexico, he returned to New York City and began working at Vogue magazine in 1943, where Alexander Liberman was art director.





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