
Pace is pleased to present an exhibition of five recent installations by James Turrell—including a new, never-before-seen, site-specific Wedgework made specifically for this presentation—at its Seoul gallery. Spanning all three floors of the gallery, The Return, opening June 14 and running through September 27, will also feature a selection of photographs and works on paper that shed light on the artist’s process for his installations and the construction of his massive Roden Crater project.
Marking Turrell’s first solo exhibition in Seoul since 2008, this show is organized as part of Pace’s 65th anniversary year celebration, during which the gallery is mounting exhibitions around the world of work by major artists with whom it has maintained decades-long relationships.Born in Los Angeles in 1943, Turrell is a key member of the California Light and Space movement. He has dedicated his practice to what he has deemed “perceptual art,” working with the materiality of light and space. Influenced by the notion of pure feeling in pictorial art, Turrell’s earliest work focused on the dialectic between constructing light and painting with light, building on the sensorial experience of space, color, and perception. Since his Projection Pieces from the 1960s, his work with light and perception has expanded in various series, including his Skyspaces, which he began creating in 1974, and his Ganzfelds, which he initiated in 1976. Today, the artist is known worldwide for his immersive installations that, he says, require “seeing yourself seeing.” Turrell’s work can be found in major museum collections around the globe, including the Museum SAN in Wonju, Korea, which is home to five of his installations. With his monumental, ongoing Roden Crater project near Flagstaff, Arizona, Turrell is forging a large-scale artwork and naked-eye observatory within a dormant volcanic cinder cone in the landscape of the Painted Desert of Northern Arizona.Read More About This Exhibition
James Turrell (b. 1943, Los Angeles) uses light and indeterminate space—not objects or images—to extend and enhance perception. His work has been the subject of over 160 solo exhibitions worldwide since 1967, including the three-venue museum exhibition presented concurrently at the Guggenheim Museum in New York, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Houston in 2013. In addition to permanent installations at institutions such as Nasher Sculpture Center, Dallas, MoMA PS1, Long Island City, New York, and Walker Art Center, Minneapolis, Turrell’s work can be seen in over 70 international collections. Since 1968, when Turrell received a grant from the National Endowment for the Arts, the artist has been the recipient of numerous awards including a MacArthur Foundation Fellowship (1984); Chevalier, L’Ordre des Arts et des Lettres, France (1991); Commandeur, L’Ordre des Arts et des Lettres (2006); and National Medal of Arts, Washington, D.C. (2014).





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