
Steph Huang has long explored the production, circulation, and consumption of food within the global economy. Her practice has moved from markets and trade routes to the British fishing industry and systems of labour, and from there to the structures of consumption, packaging, and the reconfiguration of what is left behind. The Glittering Grove marks Steph Huang’s first solo exhibition at TKG+, as she turns her attention further upstream, returning to the origins of food production. From olive groves to industrial production lines, she considers how a bottle of olive oil comes into being through the intertwined forces of nature, labour, and capital. What Huang assembles in the exhibition is not simply a collection of objects, but a set of realities operating at different scales within the production process: land and factory, plant and machine, labour and consumption. By bringing together elements that are ordinarily dispersed across different stages of the supply chain, the exhibition invites viewers to follow the olive from the land to the marketplace, using olive oil as a point of departure for tracing the systems that shape its production and value.

















Steph Huang is a London-based Taiwanese contemporary artist whose sculptural installations use the language of markets, kitchens, and informal architecture to examine labour, value, and the movement of goods and people in global commerce.
A forerunner of Taiwanese modern art, the Tina Keng Gallery hinges upon the philosophy that art is a reflection of the times. The Tina Keng Gallery has its roots in the Lin & Keng Gallery (1992–2009) based in Taipei, Taiwan and Beijing, China. Delving into Western painting and Chinese art history, Lin & Keng tirelessly promoted the work of Asian classical masters, cultivating a critical thought on Greater Chinese modern art. The Tina Keng Gallery has continued this tradition by centering its focus on Asia, further excavating art history and rediscovering modern aesthetics. Upon this foundation, the Tina Keng Gallery is steadfast in nurturing Taiwanese modern and contemporary art, with hopes to capture the changing states of art through writings of history, in so doing highlighting the cultural underpinnings of its worldview. Art arises from culture, and culture mirrors the times. The Tina Keng Gallery endeavors not only to support Greater Chinese modern and contemporary art, but to shape a perspective that is elementally Asian.

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