
Pace is pleased to present an exhibition of new, never-before-exhibited paintings by American artist Maysha Mohamedi to mark the grand opening of its Tokyo gallery in the city’s Azabudai Hills. On view from September 6 to October 16, the presentation is Mohamedi’s first solo show in Japan and all of Asia, and spotlights paintings produced in 2023 and 2024, showcasing the artist’s ability to use colour and calligraphic abstraction as means for storytelling. To accompany this exhibition, Pace Publishing will produce a facsimile of the studio sketchbook she used for the works in her Tokyo show, featuring a new text by writer Brian Dillon.
Functioning as maps of cognition and experience, Mohamedi’s compositions are made up of her uncannily crisp brushstrokes and painterly flourishes, which she builds up intuitively and contemplatively. Using memories, ideas, words, and feelings as origins for her painted abstractions, she draws from a personal lexicon of geometric shapes to express details and anecdotes from her own life in ineffable, intangible, and universal terms. For the works in yesterday I was a tiny tube of toothpaste, she drew inspiration from her diary chronicling her brief time working in Japan two decades ago. In creating her new paintings—half of which are named for people and places that she encountered and wrote about in her journal during that trip—the artist reentered and reactivated the psychic space of her 20s, weaving together coincidences and serendipitous situations from her formative experience abroad and the present circumstances of her life.
Maysha Mohamedi received a Bachelor of Science in 2002 from the University of California, San Diego, where she studied cognitive science, specialising in neuroscience, and she earned a Master of Fine Arts in painting from the California College of the Arts in San Francisco in 2011.




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