Ocula Conversation Chris Huen Sin Kan: Painting Again and Again By Stephanie Bailey, Hong Kong Chris Huen Sin Kan's paintings accumulate everyday moments into records of the physical world, a collection of which are now on view in Simon Lee Gallery's online exhibition, Puzzled Daydreams .
Latest Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney 'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
Ocula Insight Andrew Luk at de Sarthe: Abstracting Entropy By Elliat Albrecht, Hong Kong Originally intended for Art Basel in Hong Kong, Andrew Luk's new sculpture, on view at de Sarthe, reflects on the ways that human brutality is acted out on nature.
Lalla Essaydi was born in Morocco in 1956 and received a Master of Fine Arts degree from the School of the Museum of Fine Arts at Tufts University in Massachusetts. She has exhibited her work across the globe, including at the Asian Civilisations Museum and the National Museum of Singapore; the Los Angeles County Museum of Art and The San Diego Museum of Art, California; The Museum of Fine Arts, Boston; and the Smithsonian Institution’s Museum of African Art and the National Museum of Women in the Arts, Washington D.C. Her work is in numerous permanent collections, including the Asian Civilisations Museum, Singapore; Musée du Louvre, Paris; the British Museum, London; the National Museum of African Art, Smithsonian Institution, Washington, D.C.; the Art Institute of Chicago; the Brooklyn Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; and the Mathaf: Arab Museum of Modern Art, Doha. She divides her time between New York, Boston and Marrakesh.
Text courtesy Sundaram Tagore Gallery.
Related Press Photographer Lalla Essaydi recasts Arab women in her art 12 November 2018, The Straits Times SINGAPORE - Morocco-born artist Lalla Essaydi subverts the Western male gaze in her striking photographs of contemporary Arab women, who are swathed in lush fabric and often covered with text in henna. Her photos, some of which are on display at Sundaram Tagore Gallery at Gillman Barracks until Dec 15, can take up to a year or more to stage.
Related Press Lalla Essaydi speaks on feminism, gender and race through her art 2 March 2018, Lafayette Student News It took world-renowned artist Lalla Essaydi six months to a year to create her art. Her art consists of creating textiles, scripted fabric, and bullet garbs. She adorned the female models for her photographs with henna, a traditional body dye used in Morocco where it is associated with femininity.
Related Press We speak to Lalla Essaydi about her first solo gallery show in Dubai 1 July 2017, The National The New York-based Moroccan artist Lalla Essaydi admits that when it comes to the discussion and reception of her work, she has had to develop something of a thick skin. Carefully staged portraits of Arab women that are often larger than life-size, Essaydi's photographs not only engage with the art of the past, but also combine traditional...
Related Press A conversation with Lalla Essaydi about 'Bullets,' the Arab Spring and violence against women 17 February 2017, ARTSATL Bullets, Lalla Essaydi's exhibition at Jackson Fine Art through April 15 is a provocative and metaphorically loaded take on the condition of women in today's Arab world. In this new series, the Moroccan-born New York-based artist denounces the violence women were subjected to following the repression of the Arab Spring. A departure from the...
