THIS IS NO FANTASY In Ocula Magazine

Australian art fair Sydney Contemporary returns to Carriageworks from 8–11 September. Ocula's Hazel Ellis was on the ground to capture all the art, the energy, and the atmosphere on the fair's opening day.

Sydney Contemporary returns from 8 to 11 September. Giving an early glimpse of their booths are 1301SW, The Commercial, Gallery 9, Martin Browne Contemporary, Neon Parc, Roslyn Oxley9 Gallery, STATION, THIS IS NO FANTASY, and Yavuz Gallery.

This year, Melbourne's Spring1883 art fair returns with an online programme featuring 29 galleries from Australia and New Zealand.

Yhonnie Scarce reflects on the themes running through her solo exhibition at the Australian Centre for Contemporary Art, Missile Park.

The South Australian sculptor won AU $100,000 for her work 'Edges of Excess'.

Namatjira is the first Aboriginal Australian to win the prize in its 99-year history.

Connect with Melbourne via nine online programmes ahead of Melbourne Art Fair's Online Viewing Rooms.

At [Galerie du Monde][0], [Hong Kong][1], the centrepiece of [Juan Ford][2]'s recent solo exhibition [Blank][3] (15 March–20 April 2019) was Recollector (2018), a hyper-realistic portrait of a solo

‘If a painting is making me laugh while I’m working on it, then I know there is something there, like a spark that’s going to get people interested.’

Over 80 galleries participated in the fair's fourth edition—its second annual staging, following the fair's decision to up the ante after initially launching the event biannually in 2013.

Staged at Carriageworks, Sydney's striking multi-disciplinary arts precinct, the Fair welcomes over 80 galleries from around the Pacific Rim with strong representation from Australia, New Zealand and Southeast Asia.

Held at the Southbank Arts Precinct, Melbourne Art Week returns with fanfare and slight trepidation between 30 July and 5 August 2018.

Hong Kong is set to become more than just a trading post for art defined by its international art fair, as a city with its own voice on the international art stage.

Visualisation has always been important, thinking about how to materialise my thoughts, about what might work, what’s best left unmade.

It's not a journal curating an exhibition; rather it's a collaboration between an exhibition and a journal at a metaphorical level.

The camera is usually picked up late in the process. Formulating and finessing the idea may take months, then the camera is the tool I use to capture that vision.

Painting some humour into a serious event or an important person let’s you be in a little bit of control again, you can get a little bit of cheeky revenge.

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art land

On the 120th anniversary of its inaugural exhibition in 1895, Nigerian-born curator, Okwui Enwezor, has this year directed the 56th iteration of the Venice Biennale. Titled  All The Worl

A series of current exhibitions consistently attest to Melbourne’s strengths in media arts and architecture, whilst celebrating the multiplicity of talents and cultures available in the city.

" Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will." George Bernard Shaw In 1879, a French postman named Ferdinand Cheval began building an esoteric homage to the beauty of sandstone. On one of his postal rounds, Cheval came across small pieces of...

Dianne Tanzer established her gallery, Dianne Tanzer Gallery + Projects in Melbourne, Australia in 1990. Established as an exciting platform for Australian contemporary art, it continues to deliver a robust exhibition program.