
The ordinary can be deceptive. What appears to be familiar can have histories, gestures, and emotions that transcend the ordinary. At THK Gallery, Thomas Wachholz’s ZackZack and Philipp Emde’s . RE.. homed ... coexist in the same space as parallel solo exhibitions, each artist’s voice contributing to the conversation, each transforming the ordinary into a space of reflection, play, and wonder.
Wachholz’s ZackZack style is marked by his formal language of colour fields, geometric structures, and graphic motifs. The presence of stars, lines, and symbolic forms underscores the immediacy of visual signs, while the tactile qualities of the works, including unusual materials such as red phosphorus, impart a physical quality to the works that disrupts formal simplicity.
Wachholz’s bronze sculptures of oversized matchsticks take his language into three-dimensional space, capturing the instant of ignition and motion. The title of the exhibition, ZackZack, is German for “swift, resolute action,” underscoring the dynamism, rhythm, and conceptual clarity of Wachholz’s style. This exhibition, his second in Cape Town, marks Wachholz’s ongoing investigation into the potential of abstraction to convey moments of time, gesture, and physical intensity at once. Wachholz’s work explores the process by which everyday objects such as matchboxes and matchbooks come to be invested with personal memory and physical history.
Both practices focus our gaze on the invisible life of objects, on the way in which, once handled, kept, or recalled, they begin to transcend their original use. Thus, we might understand their works as being in opposition to the notion that objects are used as tools for use. Instead, they might be thought of as containers, as witnesses to the actions, events, and moments that have passed through them. This idea can be seen in relation to the thoughts of Jean Baudrillard, who, in The System of Objects, wrote that “objects are part of systems of meaning that transcend their instrumental function. They are signs, circulating in networks of memory, context, and cultural association. In this respect, the ordinary is itself an area of interpretation.”
Both the exhibitions are about the idea that looking is an active process. Stop, look again, look again from different angles. Fast and slow, structure and play, memory and imagination come together and create the realization that the everyday is not static, not neutral, not secure.





Thomas Wachholz (b.1984, Cologne) is a visual artist who lives and works in Cologne, Germany.


THK Gallery is a leading contemporary art gallery based in the heart of Cape Town, South Africa, with a satellite project space in Cologne, Germany.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services