
‘An artist should constantly grapple with color. And I thought I would be able to finally complete the puzzle of my art when I fill in the missing color.’– Ha Chong-Hyun
Tina Kim Gallery is pleased to present Return to Color, a solo exhibition of works by Ha Chong-Hyun (b. 1935), one of the leading members of the Dansaekhwa movement. Marking his third solo presentation with the gallery, the exhibition surveys the last decade of the artist’s practice with new polychromatic works that illuminate a return to colour as well as a departure from his foundational, monochromatic ‘Conjunction’ series first developed in the 1970s. This revitalised body of work will be exhibited alongside selections from the artist’s ‘Post-Conjunction’ series from 2011. Shown together, the exhibition will examine the artist’s relationship to colour, and investigate the philosophy behind the pivotal transitions in Ha’s practice. The exhibition will be on view from 8 May to 30 June 2021.





Ha Chong-Hyun (b. 1935), a leading member of the Dansaekhwa group, began his ‘Conjunction’ series in 1970s post-war Korea and has dedicated his practice to this series ever since. Conjunction refers to the physical connection between the two most important elements of his practice, his methods and his materials, and how the two are intertwined, or ‘conjoined.’ The burlap he began to substitute in place of the more traditional canvas after the Korean War allows him to approach each painting from the reverse, pushing thick paint through the loose weave. The oil paint then emerges from the front, creating a texture that has become entirely unique to Ha’s practice. Though he has maintained these practical methods for decades, Ha continues to experiment in his works, incorporating new colors and abstract patterns.

Tina Kim Gallery is internationally recognized for its critically rigorous program that foregrounds Asian and Asian diasporic artists across generations and mediums. Founded in 2001 and located in Chelsea, the gallery works closely with artists, estates, and institutional partners to produce exhibitions, publications, and public programs of scholarly depth and critical resonance.

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