
Wilding Cran Gallery is pleased to present Lost Mix Tapes, an exhibition of recent works by Los Angeles-based artist Stephen Neidich.
Breaking away from his recent explorations of kinetic sculpture and installation, Stephen Neidich’s rusted steel Venetian blinds twist, contort, and snag though static interventions that remind us of the humor and familiarity of utilitarian dysfunction. In this series, the distressed steel has been further impacted by a combination of chemical agents introduced by the artist and unseasonable Southern California rains. Birthed from the nexus of chance, emotion, and experimentation, Neidich’s practice works to push his pieces to the brink, discovering the limits of their function and survival.
While the sculptures’ varied poses and contortions may recall the effects of thwarted motion, Lost Mix Tapes pushes the button of natural movement, elevating the universally experienced technical failures of Venetian blinds through playfully exaggerated gestures. Neidich’s choreography of each piece sets a stage of characters, some tenderly toyed with, some draping delicately to the floor, some elegantly twisted in an off-kilter fiction, replicating the absurdity of our attempts to control. Upon encountering the series, we may be inspired to conjure fictive histories, from the pried open peep hole in All The Answers Are In That Book to the comedic vertical twist of We’re taking 3 cars. However, Neidich distances his work from narrative to focus on the ironic allure of each blind as an aesthetically constructed object.
There is a certain romantic nostalgia that permeates the exhibition of Lost Mix Tapes, as the viewer contemplates objects as they are, once their function and technology have been rendered obsolete. It is through this ironic foreboding that we may locate the relationship between the cassette tape and the decommissioned Venetian blind, as physical markers of emotion, happenstance, and the passing of time. These are sculptures of curated machination, yet it is through their heightened futility that Neidich captures the performative grace of inert objects, further rendered through our attempts to interpret their dysfunctional elegance.
Through labor, experimentation, and humor, Stephen Neidich uses found industrial materials to explore the modes and emotional outputs of varied stages of stasis and kinesis. Elevating the acrobatics of function and the universal familiarity of everyday objects, Neidich’s practice works to push his pieces to the brink in order to perform the limits of their use and survival.
Founded in 2014 in Los Angeles’ Lower Arts District, by Anthony Cran and Naomi deLuce Wilding, Wilding Cran Gallery represents international contemporary artists working in various mediums. The gallery supports local and universal social causes through arts education programming and philanthropic partnerships. In 2025 Wilding Cran moved to its new Melrose Hill location.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
