Press Release

The fourth exhibition by Italian born, Los Angeles-based artist Alessandro Pessoli at Xavier Hufkens is titled Like A Free Life. As the title suggests, in his first exhibition dedicated entirely to painting, Pessoli allows himself the freedom of inventing images, unconcerned about their coherence.

Pessoli’s work offers a fusion of sense and nonsense, blending private and public. Fed by references to popular culture, cinema and theatre, religious imagery merges with allusions to art history, from the Italian Renaissance to American Pop Art. Typical of Pessoli are his investigations of how personal histories intertwine with larger historical narratives. With this new body of work Pessoli continues to explore both his interior life and the physical reality of our world, and how they subsequently interact on the canvas.

As the paintings show, this approach results in human figures and animals being transfixed by a precipitate of anatomical parts such as eyes, mouths, penises and objects like guns, fruit, ice cream and emoji. Even minutely copied drawings of his children find their way on to the paintings. In one painting, a crowned chicken carries a slice of pizza on its back, its neck pierced by a banana, while the artist’s portrait and a popsicle appear among its feathers. This abundant diversity is exemplified by the techniques used: oil paint, silkscreen, stencils and spray paint intermingle to describe details in a realistic manner or to dissolve them into abstraction.

Los Angeles and Frank Zappa, both his music and the artist, were a major influence for this exhibition. Pessoli: “Los Angeles is a source of images for me. From the solitude of my studio, LA remains an outpost of a frontier, where I can break the framework acquired in my paintings. My old infatuation with the American Pop Art of the 1960s and 1970s from when I was a teenager has emerged again.” Like Zappa, whom Pessoli listened to while working, his paintings present compositions full of variations, twists, breakages and unexpected tunes, mirroring the compositional nature of these works. “I found in his music the same nature that feeds my paintings, the attempt to balance the instinctive and rapid way of painting with the necessity of composing and controlling.” Just as the acclaimed musician used tapes and experimented with unconventional methods, Pessoli’s paintings also marry classical form and anarchic processes.

These collages show the truest sense of contemporary post-truth fashion as Pessoli freely assembles images and topics, without taking their sources or provenance into account. All bits and pieces become equal two-dimensional parts of the composition of the paintings. Through his painterly translations Pessoli creates new renderings which can be considered as conceptions of an open imagination of whatever occurred, or ‘could-have-happened’ in both fiction and reality.

Alessandro Pessoli (b. 1963, Cervia, Italy) lives and works in Los Angeles. Recent solo exhibition include The Neighbors, MAN, Nuoro, 2016; Alessandro Pessoli - Project Room, Villa Paloma, NMNM, Monaco, 2015-2016, and New Work: Alessandro Pessoli at the San Francisco Museum of Modern Art, 2012.

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About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Xavier Hufkens
107 rue St-Georges, St-Jorisstraat, Brussels, Belgium

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Tuesday – Saturday
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