Press Release

Since making his debut in New York in the early 2000s, Joe Bradley has developed a mutable visual style through paintings, drawings and sculptures, that bridges the art historical canon with popular culture and personal experiences. While art history is an undercurrent in Bradley’s oeuvre, his awareness of these influences frees him to make them his own.

For his new exhibition, Bradley will present a large group of recent paintings and works on paper. Painted on the floor, his large gestural works challenge the legacy of Abstract Expressionism and record the detritus and history of the studio, resulting in radiant and layered paintings that evoke a wealth of associations. Executed in pencil, pen, or marker, the new drawings often suggest the framing logic of comic strips while refusing any narrative structure inherent to the genre. These spontaneous compositions feature figures, text and abstractions uncovered from Bradley’s imaginative reference library of jokes and enigmas.

Joe Bradley (b. 1975, Kittery, Maine, US) lives and works in New York. He trained at the Rhode Island School of Design and first exhibited in New York in 2003. The artist was given a solo show at MoMA PS1 three years later. Bradley was included in the 2008 Whitney Biennial and The Forever Now, a landmark exhibition of contemporary painting at the Museum of Modern Art, New York in 2014. Recent solo exhibitions include Joe Bradley, Rose Art Museum, Brandeis University, Waltham, MA (2017); Joe Bradley, Albright-Knox Art Gallery, Buffalo, NY (2017); Château de Boisgeloup, Gisors, France (2017); Bozar / Centre for Fine Arts, Brussels, Belgium (2017) and Le Consortium, Dijon, France (2014). His work is held in the following collections, among others: Albright-Knox Gallery, Buffalo, NY; Fondation Louis Vuitton, Paris, France; Museum of Modern Art, New York, NY; and the Whitney Museum of American Art, New York.

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Courtesy Xavier Hufkens, St-Georges. Photo: Katherine Mcmahon.
About the Artist

Since making his debut in New York in the early 2000s, Bradley has developed a mutable visual style through paintings, drawings and sculptures, that bridges the art historical canon with popular culture and personal experiences. While art history is an undercurrent in Bradley’s oeuvre, his awareness of these influences frees him to make them his own. In his early modular colour field paintings, he challenges some of the key tenets of Minimalism by injecting irony and figuration. His Schmagoo series, childlike and rudimentary grease-pencil drawings on canvas embrace mark-making and humour.

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Also Exhibiting at Xavier Hufkens

About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project. A third space opened in spring 2020, located at 44 Rue Van Eyck, designed by architect Bernard Dubois.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Brussels 6 rue St-Georges
Xavier Hufkens
6 rue St-Georges, St-Jorisstraat, Brussels, Belgium

Opening hours
Tuesday – Saturday
11am – 6pm
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