Press Release

Sayre Gomez has risen to prominence in recent years with his semi-fictionalised and photorealistic paintings known as X-scapes. Executed in a wide range of techniques, including trompe l’oeil, airbrushing, stencilling and those used to paint Hollywood sets, his work is inspired by the urban landscape of Los Angeles. Many of his paintings feature the housing, road signs, billboards and landmarks that form the backdrop to long car rides around the city. His paintings can simultaneously touch on the beauty of nature (vivid sunsets, sumptuous palms), the passage of time, urban decay and commercial nostalgia (signs, colours and lettering often evoke bygone days) and contemporary life (graffiti, cell phone masts). Gomez synthesises his observations into hyperreal images that challenge our ability to differentiate between authenticity and simulation: a cityscape that feels true-to-life might just as easily be an artificial construction. In this way, he explores the increasingly tenuous link between our everyday surroundings and a digital culture that is relentlessly driven by enhanced and manipulated images. The flawless execution and even luminescence of Gomez’ canvases, as well as the shifts between hard and sharp focus, can be seen as painterly reflections on the digital flattening and blurring of life and culture through screen-based technology. Openings and barriers, such as windows, doors, gates, shutters, walls and fences, are recurrent metaphors in his oeuvre that suggest Los Angeles is a city of promise and freedom, but also one of broken dreams and destitution. Gomez also explores these themes through other mediums, including sculpture, installation and video.

About the Artist

Sayre Gomez has risen to prominence in recent years with his semi-fictionalised and photorealistic paintings known as X-scapes. Executed in a wide range of techniques, including trompe l’oeil, airbrushing, stencilling and those used to paint Hollywood sets, his work is inspired by the urban landscape of Los Angeles. Many of his paintings feature the housing, road signs, billboards and landmarks that form the backdrop to long car rides around the city. Gomez will often combine sumptuous natural phenomena with industrial and commercial elements that reflect an altogether grittier side of life, thereby lending his work a temporal aspect. His paintings can simultaneously touch on the beauty of nature (vivid sunsets, sumptuous palms), the passage of time, urban decay and commercial nostalgia (signs, colours and lettering often evoke bygone days) and contemporary life (graffiti, cell phone masts). Gomez synthesises his observations into hyperreal images that challenge our ability to differentiate between authenticity and simulation: a cityscape that feels true-to-life might just as easily be an artificial construction. In this way, he explores the increasingly tenuous link between our everyday surroundings and a digital culture that is relentlessly driven by enhanced and manipulated images. The flawless execution and even luminescence of Gomez’ canvases, as well as the shifts between hard and sharp focus, can be seen as painterly reflections on the digital flattening and blurring of life and culture through screen-based technology. Openings and barriers, such as windows, doors, gates, shutters, walls and fences, are recurrent metaphors in his oeuvre that suggest Los Angeles is a city of promise and freedom, but also one of broken dreams and destitution. Gomez also explores these themes through other mediums, including sculpture, installation and video.

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Also Exhibiting at Xavier Hufkens

About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Address
107 rue St-Georges
St-Jorisstraat
Brussels
Belgium
Opening Hours
Tuesday – Saturday
11am – 6pm
(1)
Brussels 107 rue St-Georges
Xavier Hufkens
107 rue St-Georges, St-Jorisstraat, Brussels, Belgium

Opening hours
Tuesday – Saturday
11am – 6pm
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