
Zeno X Gallery is pleased to present Coloured Cones, the seventh solo exhibition of Michaël Borremans. The title of the exhibition refers to the new series of paintings in which satin cones play the leading role. These are sometimes placed alone and sometimes side by side in different constellations. Both the manner of presentation and the choice of satin point to the tradition of Western portrait painting. By projecting the codes of the genre onto the soulless cone figures, a tension arises not only between subject and object, but also between reality and abstraction. The thorough individualisation of the cones also led to two of them being given areal name: The Pope and Dodgy Bob. In The Pope, Borremans refers directly to the portrait ofInnocent X by Diego Velázquez, in which the fabric of the robe acts as a pars pro toto for the character in one of the most famous portraits in Western art history.
Further in the exhibition, the colourful cones are confronted with ‘portraits’ of human figures that emerged in the same period. The shapes of the ‘cones’ resonate in the costumes in which is models are dressed. These images, too, challenge the expectations of what a portrait is supposed to be. After all, Borremans never paints the human figure as an individual, but always as a type. The portraits are not representations of nature, but point to something artificial, to the image of man that has arisen in our Western culture. Through these generic types he touches upon the fundamental theme of his work: the condition humaine. The result is a set of surprising representations that strike a compromise between portrait and still life, abstraction and concreteness, illusions that only exist in the reality of the painting.
On the occasion of the exhibition Coloured Cones, the new monographic publication TheBadger’s Song will be published. This catalogue offers an overview of all the works that Michaël Borremans has conceived serially since 2013. There are seven different series, including Black Mould, Fire from the Sun and Girl with Hands. Most of these works have never been published before.
Michaël Borremans currently has a duo exhibition with Mark Manders at the 21st CenturyMuseum of Contemporary Art in Kanazawa, Japan. Earlier this year he presented a retrospective at the Rudolfinum in Prague.
His retrospective As Sweet As It Gets travelled in 2014–15 from BOZAR in Brussels to the TelAviv Museum of Contemporary Art and Dallas Museum of Art. The exhibition Eating the Beard opened at Kunstnernes Hus in Oslo before being shown at Kunstverein Stuttgart, Kunsthalle Budapest and Kunsthalle Helsinki. Michaël Borremans has held other solo exhibitions at CACMálaga, Hara Museum in Tokyo, MCA Denver, Kestner Gesellschaft in Hanover, de Appel ArtsCentre in Amsterdam, The Cleveland Museum of Art, Parasol Unit in London, S.M.A.K. inGhent, Museum für Gegenwartskunst in Basel, Kunsthalle Bremerhaven, and more.
For two decades, artist Michaël Borremans has been confounding—and captivating—audiences with his enigmatic paintings. Trained as a draughtsman and engraver at Luca School of Arts in Ghent, followed by several years of photography, it was only after a sabbatical from teaching at the age of 33 that Borremans started to paint. Today, the Belgian painter and filmmaker is one of the most renowned and sought-after contemporary artists of his generation. His moody staged portraits, charged with psychological tension and suspense, are testament to the enduring medium of painting.

In 1981, Frank and Eliane Demaegd founded Zeno X Gallery in an early 20th century townhouse in the Antwerp South district. In the early years the program of the gallery was mainly focused on architecture and installations with artists such as John Körmeling, Rem Koolhaas, Anne-Mie Van Kerckhoven and Patrick Van Caeckenbergh. Nowadays the gallery represents around thirty artists which operate in many different mediums such as painting, sculpture, film, photography and performance.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
