Benbouchta was born in Casablanca (Morocco) in 1963, and lives and works between Paris and Casablanca. After graduating in 1986 in Anthropology and Middle Eastern Studies at McGill University, Montreal, she attended various workshops of drawing, lithography and etching in Paris. She was also an auditor at the Ecole Nationale des Beaux Arts de Paris from 1988 to 1990. Her artistic-cultural concerns led her to run the fashion & culture magazine “Les Alignés”, during the 90’s. In 2005, she co-founded the Collectif 212, an organization dedicated to defending the emergence of a new phase of contemporary art in Morocco.
«I prefer to devote myself to a work that asks questions of the future of the human being, in a universal way, without constantly bringing back the debate to the details of origin or identity.» Amina Benbouchta
Through a wide range of practice that evolves harmoniously between painting, photography, works on paper, sculpture, installation and video, Amina Benbouchta leads an anthropological reflection, which explores in a singular way, the existing dialogue between environment, objects of the everyday life and the human figure, while highlighting this poetry of chance that often emanates from their meeting. She invents a symbolic language, from both personal concerns and socio-cultural issues: making visible what escapes the visible. Her work is not composed of a separate series. Alternatively, each new image is added, and completes the set which pre-exists. Her research draws from an intrinsic universe, absorbing elements that evoke atmospheres related to the already existing work. Beyond the poetic and metaphorical readings that her works inspire, there is a relevant political dimension in her creations. Each realized work corresponds to a new way of understanding the existing challenges of living as a contemporary woman in the public and private space. She questions how to position oneself in this structured, male-dominant society.
Courtesy Sabrina Amrani

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