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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

Split Second (Mirror) by Anthony McCall contemporary artwork Anthony McCallSplit Second (Mirror), 2018 Media player, QuickTime movie file, digital projector, haze machine, mirror
Sean Kelly
Split Second by Anthony McCall contemporary artwork Anthony McCallSplit Second, 2018 Media player, two QuickTime movie files, two digital projectors, two haze machines
Sean Kelly
Landscape for Fire II by Anthony McCall contemporary artwork Anthony McCallLandscape for Fire II, 1972/2018 Gelatin silver print mounted on museum board and aluminium
85.1 x 127 cm
Sean Kelly
Spinning Column 1 by Anthony McCall contemporary artwork Anthony McCallSpinning Column 1, 2018 Gelatin silver print mounted on museum board and aluminium
85.1 x 60 cm
Sean Kelly
Recording Artist by Anthony McCall contemporary artwork Anthony McCallRecording Artist, 1970/2018 Archival dye sublimation print on aluminium
25.4 x 38.1 cm
Sean Kelly
Doubling Back by Anthony McCall contemporary artwork Anthony McCallDoubling Back, 2003 Media player, QuickTime movie file, digital projector, haze machine
Sean Kelly
Smoke without Fire by Anthony McCall contemporary artwork Anthony McCallSmoke without Fire, 1972/2018 Gelatin silver print mounted on museum board and aluminium
85.4 x 127.6 cm
Sean Kelly
Smoke Screen I by Anthony McCall contemporary artwork Anthony McCallSmoke Screen I, 2017 Gelatin silver print mounted on museum board and aluminium
155.9 x 114.5 cm
Sean Kelly
Study for Meeting You Halfway (II) by Anthony McCall contemporary artwork Anthony McCallStudy for Meeting You Halfway (II), 2009 Graphite on paper
39.5 x 55 cm
Sprüth Magers
Meeting You Halfway (II) by Anthony McCall contemporary artwork Anthony McCallMeeting You Halfway (II), 2009 Footprint from the 8th minute
Sprüth Magers
Smoke Screen I by Anthony McCall contemporary artwork Anthony McCallSmoke Screen I, 2017 Gelatin silver print mounted on museum board and aluminum
155.89 x 114.52 cm
Sprüth Magers
Smoke Screen II by Anthony McCall contemporary artwork Anthony McCallSmoke Screen II, 2017 Gelatin silver print mounted on museum board and aluminum
158.89 x 114.52 cm
Sprüth Magers
You and I, Horizontal (III), 2007 by Anthony McCall contemporary artwork Anthony McCallYou and I, Horizontal (III), 2007, 2007 Installation view at Sean Kelly Gallery, New York, 2007
Sprüth Magers
Two Pencil Durations, 1974 by Anthony McCall contemporary artwork Anthony McCallTwo Pencil Durations, 1974, 1974 Pencil on paper
102 x 440 cm
Sprüth Magers
Line Describing A Cone, During the Twenty-Fourth Minute, 1973 by Anthony McCall contemporary artwork Anthony McCallLine Describing A Cone, During the Twenty-Fourth Minute, 1973, 1973 Installation view at the Whitney Museum of Art
Sprüth Magers
Fire Cycles III, 1974 by Anthony McCall contemporary artwork Anthony McCallFire Cycles III, 1974, 1974 Performance View. Chromogenic print. Museum of Modern Art, Alden's Field, Oxford, June 9, 1974.
34.5 x 40.7 cm
Sprüth Magers
Doubling Back, 2003 by Anthony McCall contemporary artwork Anthony McCallDoubling Back, 2003, 2003 Installation view at the Whitney 2004 Biennial
Sprüth Magers
Study for "Crossing," Highline Tunnel, New York, 2007 by Anthony McCall contemporary artwork Anthony McCallStudy for "Crossing," Highline Tunnel, New York, 2007, 2007 Laser print and wax pencil on paper
21.6 x 27.9 cm
Sprüth Magers
Between You and I, 2006 by Anthony McCall contemporary artwork Anthony McCallBetween You and I, 2006, 2006 Installation view at Peer/The Round Chapel, London, 2006
Sprüth Magers
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