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Almine Rech-Picasso Goes Global Ocula Conversation Almine Rech-Picasso Goes Global

French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...

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From the Gallery to the Streets: Home Works 8 in Beirut Ocula Report From the Gallery to the Streets: Home Works 8 in Beirut 8 Nov 2019 : Nat Muller for Ocula

There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Bas Jan Ader

(1942 - 1975), Netherlands

Created over the course of a life cut tragically short, the artistic output of Dutch-Californian artist Bastiaan Johan Christiaan Ader (better known as Bas Jan Ader) is limited in volume but powerful in impact. In his work, largely comprising of performance but also including photography and other media, Ader engaged with the ways in which human nature is recorded and represented in art.

Such interest in the performance of humanity is perhaps best exemplified in Ader's 1971 film I'm too sad to tell you. In this piece, he cries in front of a black-and-white camera for three minutes and 34 seconds, too lost in grief to explain his tears. In this work, the artist's physical response to anguish is what both propels the piece and stops it from being able to progress towards a story beyond the heartache itself.

Though I'm too sad to tell you is popular amongst admirers of the artist, Ader is perhaps best known by a broader public for his series of 16 mm 'Fall' films, in which human frailty cedes to gravity. In Fall I (1970), Ader sits on a chair on the roof of his house. He leans right, tipping the chair and rolling off the roof into the bushes below. In Fall II (1970), the setting is a road beside a canal. Ader enters the frame riding a bicycle and suddenly swerves into the canal. In both works, gravity takes hold, but only because Ader lets it. In Broken fall (organic) (1971), however, Ader hangs from a tree branch with his hands. In this case, it is his inability to hold on any longer that causes the drop into the shallow body of water below.

In the 16mm silent film Nightfall (1971), Ader stands behind a concrete slab. He lifts the slab, small but heavy, and drops it onto the two light bulbs that illuminate the room—first the bulb to his left, then to his right—plunging himself and the film into darkness. In such tragicomic works, Ader emphasises existing conditions—In Nightfall, the delicate balance between light and dark; in Broken fall (organic), gravity. In doing so, Ader situated his work within a movement of filmic practices that prioritised the documentation of a single moment over a conventional narrative arc.

Ader attended the Gerrit Rietveld Academie but did not graduate. Instead, he travelled by boat from Morocco to the United States as a crewmate. The boat shipwrecked near California and Ader decided to make Los Angeles his home. Soon after, he attended the Otis College of Art and Design (BFA) and Claremont Graduate University (MFA).

Ader's shipwrecked journey to the United States tragically parallels what became the final performance work of his life. For this work, Ader set sail in a 12.5-foot boat (it would have been the smallest to ever successfully complete the journey). The voyage formed the second third of Ader's 'In Search of the Miraculous' trilogy. Unfortunately, half a year later, Ader's boat was found capsized near Ireland; the artist was never seen again. The first part of the 'In Search of the Miraculous' trilogy comprises a set of black-and-white photographs of Ader wandering through Los Angeles. The third part of the trilogy would have been an exhibition of the photographs at his final destination. With the artist's disappearance, the trilogy was left incomplete. However, for the pieces he did leave behind, as well as for his untimely end, Ader has become part of the canon of post-Word War II art in America, and a significant influence on contemporary art worldwide.

Biography by Casey Carsel | Ocula | 2019
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Featured Artworks

Nightfall by Bas Jan Ader contemporary artwork
Bas Jan AderNightfall, 1971 16mm film, black and white, silent; duration: 4 minutes 16 seconds
Metro Pictures

Recent Exhibitions

Contemporary art exhibition, Group Exhibition, En Plein Air at Simon Lee Gallery, London
Closed
19 July–31 August 2019 Group Exhibition En Plein Air Simon Lee Gallery, London
Contemporary art exhibition, Bas Jan Ader, Bas Jan Ader at Simon Lee Gallery, London
Closed
24 June–26 August 2016 Bas Jan Ader Bas Jan Ader Simon Lee Gallery, London
Contemporary art exhibition, Bas Jan Ader, Solo Exhibition at Metro Pictures, New York
Closed
22 June–5 August 2016 Bas Jan Ader Solo Exhibition Metro Pictures, New York

Represented By

In Related Press

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The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list Related Press The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list ARTnews : 23 December 2016

Not so long ago, it seemed that new galleries would keep sprouting up forever in New York, and that existing ones would keep on expanding. Over the past 12 months, though, some have closed. Growth has slowed, sales are down, and people are nervous, especially in the wake of the disastrous U.S. presidential election. But all of that was belied by...

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In Search of Bas Jan Ader, the Artist Who Disappeared at Sea Related Press In Search of Bas Jan Ader, the Artist Who Disappeared at Sea Hyperallergic : 30 November 2016

On April 18, 1976, approximately 150 nautical miles from the southwest coast of Ireland, the crew of a Spanish fishing trawler, the Eduardo Pondal, spotted an object floating in the water. As the crew approached, they saw that it was a small sailing boat. The vessel was floating vertically, its bow completely submerged. After hoisting the boat onto...

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Practicing falling: Bas Jan Ader at Metro Pictures Related Press Practicing falling: Bas Jan Ader at Metro Pictures Art Critical : 31 July 2016

In 1975, Bas Jan Ader disappeared while sailing the Atlantic. This sail was the second part of his trilogy In Search of the Miraculous. Part one is comprised of 18 black-and-white photographs of the artist walking through various parts of Los Angeles at night. The third part never happened. Metro Pictures’ exhibition includes several...

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The fall: Bas Jan Ader at Simon Lee, London Related Press The fall: Bas Jan Ader at Simon Lee, London Art Critical : 29 July 2016

The distinguishing feature of Bas Jan Ader is the way he brings personal feeling and its hinterland of autobiography into a conceptual practice. That’s what makes him a 'Romantic,' topped off by the mysterious manner of his death. Add the counter-intuitive combination of Modernist art history (with Piet Mondrian as focal point) and...

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