Betül Aksu, born 1990 in Izmir, Turkey – an artist whose practice explores how boundaries appear in everyday life, using language as a material to investigate bureaucratic and geopolitical systems.
Betül Aksu grew up in Izmir, developing an interdisciplinary intellectual foundation that informs her artistic practice today. She studied Linguistics at Hacettepe University in Ankara, before pursuing advanced degrees in Cognitive Science at the University of Trento and Language Science and Technology at Saarland University. This rigorous academic training in language and cognition shaped her critical interest in how systems—both linguistic and bureaucratic—shape human experience.
She went on to study a PhD in Media and Arts Technology at Queen Mary University of London, where she developed her distinctive artistic voice merging theory and creative practice. Following the global pandemic, Aksu relocated back to Izmir from London, where she now works. In 2023, she founded sezon, an independent art space in Izmir dedicated to exploring what she describes as ‘the politics and poetics of change’.
Betül Aksu creates multidisciplinary artworks—including installations, performances, video, printmaking and text-based work—that examine how boundaries, bureaucracy and language function in daily life. Her practice combines personal narratives with archival research and fictional elements, creating works that investigate the relationship between identity, permission and belonging.
Central to Aksu’s practice is language itself, which she treats as both a tool of control and a potential means of resistance. She is interested in how bureaucratic language normalises boundaries, restricts movement and reinforces hierarchies. In her research and installations, she conducts ‘close readings’ of official documents alongside subjective experiences of everyday life, often generating collaborative performances and artistic interventions that respond to these systems.
Aksu’s significant body of work, Permessus, examines the remnants of an ancient city with an unknown history and undefined borders. The work’s title plays on the Italian word ‘permesso’ (permission) and ‘permesso di soggiorno’ (residence permit)—a deliberate linguistic strategy that reflects Aksu’s own experiences applying for work permits to live and create in Italy and the United Kingdom.
In Permessus, Aksu conducts what she describes as a ‘mental excavation’ of this imagined ancient site, exploring how cultural, social and political systems normalise the concept of borders. The exhibition comprises installations, video, photographs of archaeological sites, printed materials and memorabilia. Notably, the work incorporates a chatbot guide that processes Aksu’s research findings, raising critical questions about how knowledge is disseminated and verified. By reimagining an ancient city that requires no formal procedures for entry—a place accessible to those who follow imagination and intuition—Aksu proposes an alternative to contemporary border systems.
Aksu’s first solo exhibition, presented at Material in Zurich, investigates similar themes around mobility, bureaucratic restrictions and the precarious conditions facing artists working across borders. The work considers how eligibility criteria in cultural institutions and funding systems reproduce forms of oppression through bureaucratic processes.
At the BAK Fellowship for Situated Practice (2023–2024), Aksu explored ‘freedom of movement’ as a concept, documenting how the European Parliament’s declaration of the ‘Free Movement of Persons’ actually manifests—or fails to manifest—in the everyday lives of art workers navigating visa requirements, residency permits and work restrictions.
Betül Aksu has participated in significant artist residencies and fellowship programmes:
Betül Aksu has been the subject of both solo exhibitions and group exhibitions at galleries and institutions across Europe and beyond. To follow upcoming exhibitions featuring Betül Aksu, [follow her on Ocula].
Betül Aksu’s website can be found at betulaksu.com, and her Instagram documents her work and practice.
Betül Aksu’s artistic practice and institutional residencies have been featured in contemporary art publications and platforms including IMMA, BAK and SAHA Studio. You can follow Betül Aksu on Ocula to be updated when new articles and news about the artist are published.
Betül Aksu is a contemporary artist based in Izmir, Turkey, whose practice explores how boundaries and bureaucratic systems appear in everyday life. She works across multiple media—installation, performance, text, video and printmaking—using language as a critical material. You can [follow Betül Aksu on Ocula] to learn more about her work, find out about art for sale, contact her gallery, and keep up to date with upcoming exhibitions.
Betül Aksu’s work has been exhibited at important institutions and galleries including AVTO in Istanbul, Material in Zurich, the Irish Museum of Modern Art in Dublin and institutions across Europe. You can [follow Betül Aksu on Ocula] to receive alerts on upcoming exhibitions by the artist.
Betül Aksu’s artistic practice examines how boundaries, language and bureaucratic systems shape human experience and movement. Her work investigates geopolitical borders, work permits, freedom of movement and the precarious conditions facing artists working internationally. Through installations, research and collaborative performances, she critiques systems that restrict access and mobility.
Permessus, Betül Aksu’s 2024 solo exhibition at AVTO in Istanbul, examines an imagined ancient city with undefined borders. The title plays on the Italian word ‘permesso’ (permission), reflecting Aksu’s research into residence permits and border systems. The exhibition comprises installations, video, photographs and a chatbot guide, proposing an alternative to contemporary border systems through imaginative and accessible reimagining.
Betül Aksu is based in Izmir, Turkey, where she relocated from London following the pandemic. In 2023, she founded sezon, an independent art space in Izmir dedicated to exploring the politics and poetics of change.
Betül Aksu holds a BA in Linguistics from Hacettepe University, an MSc in Cognitive Science from the University of Trento, an MSc in Language Science and Technology from Saarland University, and studied for a PhD in Media and Arts Technology at Queen Mary University of London. Her diverse academic background in language, cognition and media arts informs her artistic approach.
Betül Aksu’s first name is pronounced ‘Beh-TOOL’ (with the stress on the second syllable). The Turkish letter ü is pronounced like the ‘ü’ in German, similar to the ‘oo’ sound in ‘book’ with rounded lips.
Betül Aksu’s practice encompasses conceptual and research-based artworks that may be available through galleries and institutions representing her work. You can explore Ocula to find out which galleries and institutions currently represent Betül Aksu and enquire directly about acquiring artworks or commissioning research-based projects. You can also [get in touch with Ocula’s art advisory team] to find out more about Betül Aksu’s practice and available works.
Sign up to Ocula to [follow Betül Aksu], and learn more about her exhibitions, residencies and upcoming projects.
Ocula | 2026

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