CHUNG EUN-MO

Chung Eun-Mo’s geometric abstraction is defined by geometric segmentation using color, line, and chromaticism, all of which are essential elements of painting. Her work consists of abstract and poetic representations of the places she has observed and experienced. These representations are a sequence or combination of shapes and colors with a compelling, evocative force. By depicting the subtle, shifting colors of light as it interacts with space, her work not only creates a delicate sense of visual space, but also challenges the traditional order of minimalism, engaging the viewer in a visual experience. In her work, verticals, horizontals, and curves coexist to form strict geometric shapes that interact with color to create a lively vibrancy related to the artist’s profound understanding of Malevich’s abstract art and Albers’ Op art. She considers color as a malleable and tactile substance actively transforming space through art. This transformation extends to mural painting and a textile approach, ultimately creating a dynamic and engaging environment.