Photojournalist Don McCullin has documented the world for 50 years, capturing global conflict, living poverty and the impact of Aids. His photographic practice goes beyond reportage—he also creates landscapes, still lifes and portraits.
Born in 1935, Don McCullin grew up in a poor part of north London, evacuated several times during the Second World War. He studied at Hammersmith School of Arts and Crafts and Buildings and between 1954–1956 he was called up for National Service in the RAF, spending time in Egypt, Kenya and Cyprus. He returned to London with a twin-lens reflex Rolleicord camera and began photographing life around him. In 1961 he won a British Press Award for work surrounding the building of the Berlin Wall, and he received a World Press Photo Award for his coverage of the 1964 civil war in Cyprus.
Don McCullin is a compassionate photographer and totally self-taught, saying he studied the work of practitioners including Steiglitz and Steichen, “romantics, with their brilliant sense of composition and their depth”. He worked as a photojournalist for The Observer and then The Sunday Times, covering wars in Uganda (where he was imprisoned), Chad, Israel, Cambodia (where he was shot and badly wounded), Lebanon, Iran and Afghanistan. His work has also often focused on poor and underprivileged communities, including areas of London and Britain’s northern industrial cities.
McCullin shifted his focus and concentrated his work from the 1980s onwards on places where the Indigenous populations had had little contact with the Western World, including the 2010 book Southern Frontiers, examining the legacy of the Roman Empire in the Middle East and North Africa.
In 1958, when McCullin was 23, he took a photograph of lads he knew and used to hang out with, standing in a bombed-out building in Finsbury Park, north London, where he had grown up. A colleague at the animation studio where he worked persuaded him to show the photograph—Guvnors, Finsbury Park gang—to The Observer newspaper, who published it and asked him for more. He told the author Zelda Cheatle: “This picture launched my career and gave me a passion—and my life. Looking back, if it weren’t for that one image, my life might have been so different, one of crime and thievery.”
Don McCullin spent 12 days with the US marines during the Battle of Hue in 1968 and, ahead of a 2026 book revisiting this assignment, he revealed that he was still haunted by those images, describing the Vietnam War as “an extraordinary American misadventure”.
In Beirut covering the civil war during the 1970s, McCullin attempted to attach himself to the Phalange militia, a Christian group that attacked the Lebanese capital’s Palestinian population. However, he was told that if he was seen taking any more pictures, he would be killed. He did, however, manage to take a now-famous 1976 image of Christians celebrating the death of a Palestinian girl.
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