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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

lying by Kawauchi Rikako contemporary artwork Kawauchi Rikakolying, 2018 Wire on panel
Kamakura Gallery
sun and fire by Kawauchi Rikako contemporary artwork Kawauchi Rikakosun and fire, 2018 Wire on panel
Kamakura Gallery
bud by Kawauchi Rikako contemporary artwork Kawauchi Rikakobud, 2018 Watercolor and pencils on paper
242 x 333 cm
Kamakura Gallery
seventh people by Kawauchi Rikako contemporary artwork Kawauchi Rikakoseventh people, 2018 Watercolor and pencils on paper
333 x 242 cm
Kamakura Gallery
naked face by Kawauchi Rikako contemporary artwork Kawauchi Rikakonaked face, 2018 Watercolor and pencils on paper
318 x 410 cm
Kamakura Gallery
bone by Kawauchi Rikako contemporary artwork Kawauchi Rikakobone, 2018 Watercolor and pencils on paper
211 x 313 cm
Kamakura Gallery
parfait by Kawauchi Rikako contemporary artwork Kawauchi Rikakoparfait, 2016 Watercolor and pencils on paper
257 x 182 cm
Kamakura Gallery
Dragon Fruit by Kawauchi Rikako contemporary artwork Kawauchi RikakoDragon Fruit, 2016 Watercolor and pencils on paper
257 x 182 cm
Kamakura Gallery
no name by Kawauchi Rikako contemporary artwork Kawauchi Rikakono name, 2018 Watercolor and pencils on paper
181 x 139 cm
Kamakura Gallery
Body -muffin- by Kawauchi Rikako contemporary artwork Kawauchi RikakoBody -muffin-, 2018 Watercolor and pencils on paper
333 x 242 cm
Kamakura Gallery
flower by Kawauchi Rikako contemporary artwork Kawauchi Rikakoflower, 2018 Watercolor and pencils on paper
268 x 260 cm
Kamakura Gallery
tree by Kawauchi Rikako contemporary artwork Kawauchi Rikakotree, 2018 Watercolor and pencils on paper
410 x 318 cm
Kamakura Gallery
Body -Cream-filles donut- by Kawauchi Rikako contemporary artwork Kawauchi RikakoBody -Cream-filles donut-, 2018 Watercolor and pencils on paper
257 x 364 cm
Kamakura Gallery
all same brain by Kawauchi Rikako contemporary artwork Kawauchi Rikakoall same brain, 2018 Watercolor and pencils on paper
410 x 318 cm
Kamakura Gallery
Body -scone, profitroll, cheesecake- by Kawauchi Rikako contemporary artwork Kawauchi RikakoBody -scone, profitroll, cheesecake-, 2018 Watercolor and pencils on paper
454 x 380 cm
Kamakura Gallery
bloom by Kawauchi Rikako contemporary artwork Kawauchi Rikakobloom, 2018 Watercolor and pencils on paper
410 x 318 cm
Kamakura Gallery
Leaf by Kawauchi Rikako contemporary artwork Kawauchi RikakoLeaf, 2018 Oil on canvas
170 x 260 cm
Kamakura Gallery
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