Linda Va’aelua is a Tagata Moana visual artist whose contemporary art practice explores diasporic identity, heraldry and mixed Samoan Scottish heritage through painting, textiles and installation. In 2026, she received recognition as the inaugural Creative New Zealand–McCahon House Pacific Visual Arts Artist in Residence at Parehuia, Titirangi.
Linda Va’aelua is of Samoan (Magiagi, Saleaula, Lano and Samata), Palagi and Scottish heritage and grew up in Te Atatū South, West Auckland, Aotearoa New Zealand. She studied visual communication, graduating with a Bachelor of Design in 1999, and worked for more than 20 years in the design industry.
Va’aelua’s background as a creative director and art director, including being the first Pasifika art director at New Zealand Woman’s Weekly, informs the clarity and graphic structure of her artworks. Her close relationships with family, including the influence of her uncle, Samoan artist Iosua To’afa, ground her practice in intergenerational storytelling and Pacific arts histories.
Linda Va’aelua’s artworks combine painted and stitched hessian coffee sacks, heraldic motifs and malu-inspired patterning to map connections between Samoa, Scotland and Aotearoa within contemporary Pacific art. Working with banners, flags and collaged textiles, Linda Va’aelua creates layered visual languages that respond to migration, faith, labour and the first-generation New Zealand-born Samoan experience.
During a Tautai Fale-ship residency, Linda Va’aelua developed a body of banner works playing with heraldry as a connector to Scottish ancestry, using abstract mauga forms, sun motifs and star constellations derived from malu to think through navigation and the Vā between places and relationships. Digital placements of these banners in sites across Samoa, Scotland and Aotearoa further examined how contemporary Pacific art can hold connections between ancestral homelands and diasporic life.
The exhibition Borne and Bred at Tautai Pacific Arts Trust focuses on Linda Va’aelua’s experience as a first-generation New Zealand-born Samoan raised in Tāmaki Makaurau, using repurposed materials and Samoan motifs to question identity, value and cultural legacy. The artworks pay tribute to the labour of Pasifika parents and grandparents and trace the social and spiritual landscapes that shape Pacific communities in Aotearoa.
Alongside studio practice, Linda Va’aelua has worked on book and publishing projects that extend her visual storytelling, including design and illustration for NUKU: Stories of 100 Indigenous Women and projects honouring Iosua To’afa such as Tusiata o le Tala o le Vavau: Artists of the Forever Stories and A Niu Dawn. These works situate her art within broader Indigenous and Pacific narratives across contemporary culture and literature.
Linda Va’aelua has been the subject of solo and group exhibitions with a focus on Pacific contemporary art, identity and heraldry in Aotearoa New Zealand. Below is a selection.
Linda Va’aelua’s practice is profiled across Pacific arts platforms and arts media, including Tautai Pacific Arts Trust, Art News Aotearoa, and The Coconet TV.
Linda Va’aelua is a contemporary Pacific artist and designer from West Auckland, of Samoan, Palagi and Scottish heritage, whose artworks combine textiles, painting and heraldry to explore diasporic identity and the Vā between Samoa, Scotland and Aotearoa. In 2026, Linda Va’aelua was announced as the inaugural Creative New Zealand–McCahon House Pacific Visual Arts Artist in Residence at Parehuia, one of Aotearoa’s most prestigious artist residencies.
You can see work by Linda Va’aelua in exhibitions with Pacific-focused galleries and institutions in Tāmaki Makaurau Auckland, including Tautai Pacific Arts Trust and Depot Artspace. Artworks by Linda Va’aelua are also held in public collections such as Te Papa Tongarewa in Wellington and appear in publications and online platforms dedicated to Pacific art.
Linda Va’aelua lives and works in Tāmaki Makaurau Auckland, where her experience of growing up in West Auckland informs much of her contemporary art practice. Her connection to this city, alongside Samoa and Scotland, shapes the geographic and cultural focus of Linda Va’aelua’s artworks.
Linda Va’aelua’s name is pronounced ‘LIN-da VA-ah-EH-loo-ah’. The glottal stop in “Va’aelua” is gently sounded, reflecting the Samoan language that is central to Linda Va’aelua’s cultural identity and contemporary art practice.
Ocula | 2026

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