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Ocula ReportYinchuan Biennale: 'Starting from the Desert. Ecologies on the Edge'19 Jul 2018 : Tessa Moldan for Ocula{{document.location.href}}
Hovering above sprinkler-coaxed beds of grass, the curved architecture of MOCA Yinchuan alludes to the topography of its more natural, flanking geographies: the desert and the marshland, divided by the Yellow River in China's northwestern Ningxia province. Between sand and water, it is the desert that Marco Scotini, curator of the 2nd Yinchuan...
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Ocula ConversationSun Xun{{document.location.href}}
Born in 1980 in Fuxin, China, to a factory-worker and military family, Sun Xun's father advised him to avoid politics. He was encouraged by his family to move to Hangzhou at the age of 16 to pursue his studies as an artist at a high school affiliated with the China Academy of Fine Arts. It was at CAFA that the artist honed his aesthetic and...
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Ocula ReportMade in L.A. 2018 at the Hammer Museum12 Jul 2018 : Perwana Nazif for Ocula{{document.location.href}}
For its fourth iteration of Made in L.A.—the Hammer Museum's biennial exhibition exclusively showing works by Los Angeles-based artists—curator Anne Ellegood and assistant curator Erin Christovale assert that there is no theme. Hence, the title: Made in L.A. 2018. The exhibition, which runs from 3 June to 2 September 2018, includes a...
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Marc Quinn was born in London in 1964. He studied History of Art at Cambridge University (1982-86) while working as Barry Flanagan’s assistant. 

In Marc Quinn’s world, life competes with artificial plastic. Playing on the traditions of our visual education, Quinn underlines the delta between myth and reality. His work often draws together philosophy and existential thought. Quinn believes this is the conflict between the natural and the cultural life within our body, two leitmotivs of our day and age. These are explored through mortality, beauty, the crystallization of a moment in time and space, through the interplay of art and science. The artist is fascinated with questions regarding genetic mutation and hybridism. Quinn’s work ranges across a variety of media – from sculpture to painting, drawing and photography exploring various means of expression, from blood to gold.

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