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Ocula ReportSydney Contemporary: Bridging the Gap20 Sep 2018 : Anna Dickie for Ocula{{document.location.href}}
As far as art fair venues go, Sydney Contemporary (13–16 September 2018) has nailed it with Carriageworks, where the fair was once again staged. Formerly a rail yard and now a cultural centre, the space has retained its distinctive 19th-century industrial details, and it offered a striking light-filled backdrop to the fair's crisp white booths, the...
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Ocula ConversationSuki Seokyeong Kang{{document.location.href}}
In June 2018, Suki Seokyeong Kang was awarded the Baloise Art Prize at Art Basel, alongside Lawrence Abu Hamdan: an annual award given to two emerging artists exhibited in the fair's Statements sector. Showing with One and J. Gallery, Kang presented an installation of abstract sculptures including GRANDMOTHER TOWER–tow #18-02 (2018), composed of...
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Ocula ReportNew York Exhibitions: The Autumn Lowdown14 Sep 2018 : Jareh Das for Ocula{{document.location.href}}
The autumn exhibition season has officially kicked off in New York, with countless solo and group exhibitions featuring emerging, mid-career, and established artists, with some exhibiting works in the US for the first time. With a host of exhibitions to choose from, including a series of stellar museum exhibitions whose runs are nearing completion,...
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Marc Quinn was born in London in 1964. He studied History of Art at Cambridge University (1982-86) while working as Barry Flanagan’s assistant. 

In Marc Quinn’s world, life competes with artificial plastic. Playing on the traditions of our visual education, Quinn underlines the delta between myth and reality. His work often draws together philosophy and existential thought. Quinn believes this is the conflict between the natural and the cultural life within our body, two leitmotivs of our day and age. These are explored through mortality, beauty, the crystallization of a moment in time and space, through the interplay of art and science. The artist is fascinated with questions regarding genetic mutation and hybridism. Quinn’s work ranges across a variety of media – from sculpture to painting, drawing and photography exploring various means of expression, from blood to gold.

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