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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Megan Cope

b. 1982, Australia

Megan Cope is an exciting young artist with a quickly growing profile, attracting attention for her paintings, video work, sculptural installations and site-specific commissions. A Quandamooka woman from North Stradbroke Island, Queensland, her work explores the intricate relationship between environment, geography and identity. Maps feature prominently in Cope’s work; she draws on toponymy (the study of place names) to probe myths and methodologies around colonisation.

Cope’s work has been exhibited in Australia and internationally including at Queensland Art Gallery/Gallery of Modern Art; Gold Coast City Art Gallery; MONA FOMA, Hobart; ARC Biennial, Brisbane; Cairns Regional Art Gallery; Koori Heritage Trust, Melbourne; City Gallery, Wellington, New Zealand; Para Site Contemporary Art Space, Hong Kong; Careof Art Space, Milan; the Australian Embassy, Washington and Next Wave Festival, 2014. In 2015 Cope’s work was curated into an exhibition at Musées de la Civilisation in Québec, Canada, which has also acquired her work for their permanent collection. She undertook a Time_Space_Place: Nomad Residency 2014 awarded through Performance Space, Sydney.

Cope was commissioned to create major site-specific work for the exhibition ‘My Country, I still call Australia Home’ at Queensland Art Gallery/Gallery of Modern Art, 2013; as well as for the Melbourne Museum and the Australian Catholic University, Melbourne, 2015.

Cope is a member of Aboriginal art collective proppaNOW.

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Represented By

In Ocula Magazine

Aileen Burns and Johan Lundh Ocula Conversation Aileen Burns and Johan Lundh Executive Directors, Institute of Modern Art, Brisbane

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art landscape. The unprecedented formulation of a joint vocation of director and curator shared between two people saw two outsiders hailing from Canada and...

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In Related Press

From Oyster Shells to Cardboard Bales, the Politics of Everyday Materials Related Press From Oyster Shells to Cardboard Bales, the Politics of Everyday Materials Hyperallergic : 6 July 2017

When co-curators Johan Lundt and Aileen Burns mined the Institute of Modern Art's archives, they found an access point to a pivotal time in Brisbane's material and political history in the 1986 exhibit Recession Art and Other Strategies. That show was created at time when there was very little market for Australian art, and the artists featured all...

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Postcard from Brisbane
 Related Press Postcard from Brisbane
 Frieze : 27 September 2016

As I write this, I’m on a long-haul flight from London to Brisbane, the sub-tropical capital of the state of Queensland, Australia. I’ve grabbed a copy of The Wall Street Journal and flip to its global weather forecast. It kindly includes both Sydney and Melbourne – however, the space between Boston and Brussels gapes cruelly. For...

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Megan Cope wins Western Australian Indigenous Award Related Press Megan Cope wins Western Australian Indigenous Award The Sunday Morning Herald : 6 July 2015

Melbourne artist Megan Cope has won the prestigious 2015 Western Australian Indigenous Art Award, worth $50,000. "I'm really excited because, by selecting The Blaktism, the curators have set a precedent and taken a bit of a risk," Cope says of her overtly political work."I'm really pleased I've won, of course....

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