Ocula MagazineContentsView All
Featured ContentView All
Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

Fade out copy.
Read More
Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

Fade out copy.
Read More
Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

Fade out copy.
Read More

Megan Cope

b. 1982, Australia

Megan Cope is an exciting young artist with a quickly growing profile, attracting attention for her paintings, video work, sculptural installations and site-specific commissions. A Quandamooka woman from North Stradbroke Island, Queensland, her work explores the intricate relationship between environment, geography and identity. Maps feature prominently in Cope’s work; she draws on toponymy (the study of place names) to probe myths and methodologies around colonisation.

Cope’s work has been exhibited in Australia and internationally including at Queensland Art Gallery/Gallery of Modern Art; Gold Coast City Art Gallery; MONA FOMA, Hobart; ARC Biennial, Brisbane; Cairns Regional Art Gallery; Koori Heritage Trust, Melbourne; City Gallery, Wellington, New Zealand; Para Site Contemporary Art Space, Hong Kong; Careof Art Space, Milan; the Australian Embassy, Washington and Next Wave Festival, 2014. In 2015 Cope’s work was curated into an exhibition at Musées de la Civilisation in Québec, Canada, which has also acquired her work for their permanent collection. She undertook a Time_Space_Place: Nomad Residency 2014 awarded through Performance Space, Sydney.

Cope was commissioned to create major site-specific work for the exhibition ‘My Country, I still call Australia Home’ at Queensland Art Gallery/Gallery of Modern Art, 2013; as well as for the Melbourne Museum and the Australian Catholic University, Melbourne, 2015.

Cope is a member of Aboriginal art collective proppaNOW.

Fade out copy.
Read More

Represented By

In Ocula Magazine

Aileen Burns and Johan Lundh Ocula Conversation Aileen Burns and Johan Lundh Executive Directors, Institute of Modern Art, Brisbane

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art landscape. The unprecedented formulation of a joint vocation of director and curator shared between two people saw two outsiders hailing from Canada and...

Fade out copy.
Read More

In Related Press

From Oyster Shells to Cardboard Bales, the Politics of Everyday Materials Related Press From Oyster Shells to Cardboard Bales, the Politics of Everyday Materials Hyperallergic : 6 July 2017

When co-curators Johan Lundt and Aileen Burns mined the Institute of Modern Art's archives, they found an access point to a pivotal time in Brisbane's material and political history in the 1986 exhibit Recession Art and Other Strategies. That show was created at time when there was very little market for Australian art, and the artists featured all...

Fade out copy.
Read More
Postcard from Brisbane
 Related Press Postcard from Brisbane
 Frieze : 27 September 2016

As I write this, I’m on a long-haul flight from London to Brisbane, the sub-tropical capital of the state of Queensland, Australia. I’ve grabbed a copy of The Wall Street Journal and flip to its global weather forecast. It kindly includes both Sydney and Melbourne – however, the space between Boston and Brussels gapes cruelly. For...

Fade out copy.
Read More
Megan Cope wins Western Australian Indigenous Award Related Press Megan Cope wins Western Australian Indigenous Award The Sunday Morning Herald : 6 July 2015

Melbourne artist Megan Cope has won the prestigious 2015 Western Australian Indigenous Art Award, worth $50,000. "I'm really excited because, by selecting The Blaktism, the curators have set a precedent and taken a bit of a risk," Cope says of her overtly political work."I'm really pleased I've won, of course....

Fade out copy.
Read More

Sign up to be notified when new artworks and exhibitions by Megan Cope are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook