Rho Eunjoo reaches the medium of painting after passing through the stages of drawing, modeling and photography. Rho pays attention to the transfer of senses generated as the properties of the medium and material change. When modeling an object, the artist uses a material that can be easily touched with hands and flexibly transformed. For the artist, objects and spaces are not objects to be specifically reproduced, but are a medium that newly recognizes visual characteristics and evokes thought and attitudes in abstract terms in the process of recognizing them as a plane surface. As a result, the state of perception that flows and changes is recorded as a medium of painting. She deals with the idea of shape and space through multiple sensory decussation and finds the principles of composition and composition. Rho's work seems to remain a subject of contemplation and begin at the moment of the gaze, it's also tactile and marks the index beyond the surface. The index in her work, with many inexplicable elements, demonstrates its incomprehensibility and builds up tension in the viewer. Rho's smooth and thin images, applies standard tactics that are faithful only to reproduction with the element of the matière uniqueto painting removed, producing intense and impossible landscape in the most neutral grey tones.
