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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Richard Bell was born in 1953 in Charleville, Queensland, and is a member of the Kamilaroi, Kooma, Jiman and Gurang Gurang communities. Based in Brisbane, Richard has held numerous solo exhibitions since 1990. He is represented in major collections in Australia and New Zealand and is internationally recognised through numerous exhibitions, including the significant European touring exhibition Aratjara: art of the First Australians (1993); Culture Warriors, the National Indigenous Art Triennial, National Gallery of Australia (2007); the 9th and 16th Biennales of Sydney (1992 and 2008); Australian Perspecta (1993), Art Gallery of New South Wales, Sydney, the Unfamiliar Territory, Adelaide Biennial of Australian Art (1991) and Half-Light: Portraits from Black Australia at the Art Gallery of New South Wales, Sydney.

His work was the subject of the survey exhibition Positivity, presented by the Institute of Modern Art, Brisbane, (2006). He won the National Telstra Aboriginal and Torres Strait Islander Art Award in 2003. In 2009, an exhibition of the Bell’s practice to date entitled I am not sorry, was held at Location One, New York, and he was also the recipient of Location One’s International Fellowship for that year. Uz vs. them, a major touring exhibition of Bell’s work organised by the American Federation of the Arts, premiered at Tufts University, Boston, in September 2011, and will tour to venues across North America throughout 2013. The exhibition is accompanied by a major new publication on Bell’s work.

Richard Bell’s work features in the collections of the National Gallery of Canada, Ottawa, the National Gallery of Australia, Canberra, Museum of Contemporary Art, Sydney, as well as most state institutions. 

Courtesy MCA

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Featured Artworks

Australian art it's an Aboriginal thing by Richard Bell contemporary artwork
Richard BellAustralian art it's an Aboriginal thing, 2006 Acrylic on canvas, diptych
240 x 360 cm
Tarrawarra Museum of Art

In Ocula Magazine

Sydney Summer Report Ocula Report Sydney Summer Report 12 Jan 2016 : Rachel Fuller for Ocula

When Silence Falls
Art Gallery of New South Wales, Sydney
19 December 2015 - 1 May 2016Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck.

When...

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Aileen Burns and Johan Lundh Ocula Conversation Aileen Burns and Johan Lundh Executive Directors, Institute of Modern Art, Brisbane

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art landscape. The unprecedented formulation of a joint vocation of director and curator shared between two people saw two outsiders hailing from Canada and...

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Institutional critique in the 8th Asia Pacific Triennial Ocula Report Institutional critique in the 8th Asia Pacific Triennial 3 Dec 2015 : Tess Maunder for Ocula

Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contemporary art internationally. Reflecting on this lineage and recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as the...

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A report on Australian representation at the 56th Venice Biennale: 'All The World’s Futures' curated by Okwui Enwezor Ocula Report A report on Australian representation at the 56th Venice Biennale: 'All The World’s Futures' curated by Okwui Enwezor 19 May 2015 : Tess Maunder for Ocula

On the 120th anniversary of its inaugural exhibition in 1895, Nigerian-born curator, Okwui Enwezor, has this year directed the 56th iteration of the Venice Biennale. Titled All The World’s Futures, the exhibition is centred on re-articulating the politics of representation in the wake of colonialism. Since the nineties, the spike in...

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In Related Press

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Postcard from Brisbane
 Related Press Postcard from Brisbane
 Frieze : 27 September 2016

As I write this, I’m on a long-haul flight from London to Brisbane, the sub-tropical capital of the state of Queensland, Australia. I’ve grabbed a copy of The Wall Street Journal and flip to its global weather forecast. It kindly includes both Sydney and Melbourne – however, the space between Boston and Brussels gapes cruelly. For...

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Biennale of Sydney program features dog walking as performance Related Press Biennale of Sydney program features dog walking as performance The Sydney Morning Herald : 22 February 2016

A slew of live events and performances has been announced for the Biennale of Sydney, which opens on March 18. Over the opening weekend Justene Williams–known for her Dada-inspired immersive art environments – is working with the Sydney Chamber Orchestra to re-imagine Victory Over the Sun, a futurist opera first performed in St...

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Plastic Bongs, Chinese Mini-Zines, and Endless Labors of Love at the LA Art Book Fair Related Press Plastic Bongs, Chinese Mini-Zines, and Endless Labors of Love at the LA Art Book Fair Hyperallergic : 15 February 2016

Artist books and zines are the vinyl records of the book publishing world. They retain the romance of the physical book, often pushing the boundaries of narrative and form, but given the economics of contemporary art production, the vast majority tend to make little if any money and are often more a labor of love. At Printed Matter’s 2016 Los...

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The safety of objects at Jakarta Biennale Related Press The safety of objects at Jakarta Biennale Artforum : 26 November 2015

With blockbuster biennials increasingly wedded to the galleries underwriting them, the term “biennial art”—the European second cousin of “commercial” art—no longer holds the same currency. When it comes to events off the beaten track, however, exhibitions often build credibility through following “biennial...

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