The TarraWarra Museum of Art Limited was established as a company limited by guarantee in October 2000. It is the first privately funded, significant public visual arts museum to be set up under the Australian Government’s philanthropic measures announced in March 1999. TWMA operates as a not-for-profit institution, with a charter to display Australian art from the second half of the twentieth century to the present day.
Read MoreSince opening its doors to the public on the 18th December, 2003 TarraWarra Museum of Art has been one of the cultural jewels in the Yarra Valley providing visitors with a relaxing and enjoyable experience comprising of both stunning architecture and a wealth of modern and contemporary art to absorb.
Ocula Feature Art in Melbourne: Nine Online Programmes By Tessa Moldan, Melbourne Connect with Melbourne via nine online programmes ahead of Melbourne Art Fair's Online Viewing Rooms.
Ocula Feature TarraWarra International 2019: Tracing Tangible Shadows By Natalie King, Melbourne Everyone I encounter along my journey asks: 'Where are you based?' 'On my feet,' I answer. 'Where are your feet based then?' 'Feet are never based,' I say. This haunting voiceover from Hiwa K 's video, Pre-Image (Blind as the Mother Tongue) (2017), follows the artist retracing a journey that he made when he was 25 years old, fleeing Iraq...
Ocula Conversation | In collaboration with TarraWarra Museum of Art Patricia Piccinini & Victoria Lynn By TarraWarra Museum of Art, Australia Patricia Piccinini & Joy Hester: Through love... at TarraWarra Museum of Art (24 November 2018–11 March 2019) is an exhibition that reveals shared explorations of love, intimacy, and relationships in the work of two of Australia's leading artists. This is the first exhibition to explore the conceptual links between the works of Patricia...
Ocula Feature Ocula Report: TarraWarra Biennial 2016 By Zara Sigglekow, TarraWarra A noticeable trend has emerged on the biennale circuit of curatorial collaborations between publications and exhibition makers. Take for example Okwui Enwezor’s 56th Venice Biennale in 2015, which included a newsletter project by e-flux titled ‘Supercommunity’, and the appointment of the collective behind DIS Magazine...
