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Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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Palestinian Territory

Shadi Habib Allah Biography

Shadi Habib Allah was born in Jerusalem, Palestine in 1977, and received a BFA from Bezalel Academy of Arts and Design in 2003. His interdisciplinary practice, primarily involving sculpture and video, is informed by ideas on structural and material degeneration. He was twice awarded 2nd Prize for the Young Artist Award from the A.M. Qattan Foundation, and has attended residencies at Cittadelarte, Fondazione Pistoletto in Biella, Italy and Gasworks in London, England. He has participated in exhibitions at the Riwaq Biennale, Ramallah, Tate Modern, London, and recently Palestine c/o Venice at the Venice Biennale. He recently received an MFA in Visual Arts from Columbia University. He lives and works in New York. 

Shadi Habib Allah In Related Press

A Biennial in Sharjah Offers Worlds Enough Related Press A Biennial in Sharjah Offers Worlds Enough

The poet Andrew Marvell once wrote an elaborate and lush entreaty to his love interest which began 'Had we but world enough and time.' These words occur to me as I think about my experience at the Sharjah Biennial earlier this month. Many biennials are full to bursting with work that is carefully chosen and presented. But this one, in particular...

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