SUN YITIAN

She studied painting at the Central Academy of Fine Arts in China, graduating in 2015 and obtaining an MFA in 2018. Sun Yitian is now completing her doctorate of Literature at the School of Humanities at Tsinghua University, Beijing.

Sun Yitian is best known for her paintings of mass-produced objects, generally based on staged photographs taken by the artist herself. Lovingly rendered in colourful acrylic paint, the surfaces of the inflatable toys or severed dolls heads–both frequent motifs–shine brightly, often with flecks of reflecting camera lights visible. The paintings’ aesthetic is a quality of the painting process: Seen up close, the photographic precision dissolves, as the painterly and coloristic effects created by the artist’s expert application of paint become apparent. Carefully placed to seduce our gaze–to ‘remove all resistance to perception’ in Sun Yitian’s words–the subtlety of this effect allows the works to exist in a continuously contested realm between representation and abstraction. Iconography and Sun Yitian’s manner of execution then are perfectly suited: the plastic shell of the toys, its photographic representation, and the flatness of the painted canvas fuse, tenderly capturing mass-produced objects in a traditional medium associated with individual expression and unique creation. Sun Yitian’s use of scale further draws attention to the inherent tension between pathos and banality on which the works draw: represented in human scale, the vastly enlarged objects gaze at us from their huge eyes as if in puzzlement of their newfound sumptuous grandeur.Sun Yitian will have her first solo exhibition at the gallery on occasion of Gallery Weekend Berlin 2023. Her work was included in Esther Schipper’s group exhibition Summer ‘22.Sun Yitian was selected for the Forbes 30 Under 30 Asia Class of 2019. Recent exhibitions include I’m Stepping High, I’m Drifting, and There I Go Leaping, Rizhao, Xiao Museum of Contemporary Art (2022); Summer ‘22, Esther Schipper, Berlin (2022); The Pieces I Am, Shanghai, UCCA Edge (2022); Art’s Language, Artists’ Game, Shenzhen, OCAT Shenzhen (2022); The Disconnected Generation, Song Art Museum, Beijing (2022); Morphing In-between, Hive Art Center, Beijing (2020); and Fantastic Art CHINA, Metropolitan Pavilion, New York (2017).

Courtesy Esther Schipper