SUN XUN

The narrative framework of Magic Atlas delineates a magical realm designated as Luocha: a reclusive coal empire devoid of historical consciousness and collective memory, wherein both aviation and cartography are strictly prohibited. The magician’s airship descends upon Luocha, triggering widespread panic in a society already simmering beneath a fragile peace. After being arrested, he encounters an orphan named Xiao Zhi in prison. Amid the Mimeng Festival of collective amnesia, the Magician secretly passes Magic Atlas to Xiao Zhi before being burned at the stake. In the ensuing chaos, the child is cast into Prophecy Lake. This lake, a portal through time and space, unexpectedly transports Xiao Zhi to the sacred training ground of Jinta Ling. There, under his master’s guidance, Xiao Zhi discovers he shares the same soul as the Magician and that they can reunite through the energy of fire, thus beginning a shared journey through higher-dimen-sional realms.

The artist employs a radical installation strategy, prompting fragments of the narrative scenes to transgress their linear temporal trajectory. Elements governed by heterogeneous logics diffuse throughout a specific spatio-temporal field: within the main exhibition hall, narrative vignettes from the animation are transmuted into woodcuts that completely envelop the spatial environment. Meanwhile, the secondary gallery presents large-scale stills and panoramic vistas; these function simultaneously as microcosmic footnotes to Magic Atlas and integrate with it to constitute a holistic artistic system.

The exhibition is structured in two distinct phases: the initial phase comprises a static presentation of the woodcut paintings, while the animated film will be screened during the second phase, running from 27 October to 4 November.