Most of Todd Hido's photographs of suburban landscapes are taken during solitary, long drives. The main subject of his work is the quality of natural and artificial light in the American landscape, as in reflected sunrays or the illumination of a television pouring from an anonymous window.
Hido takes his pictures in a 'fairly undirected way', he says, but edits his negatives together and manipulates them until he produces an image that represents his encounter with a place. In describing his process, Hido says, 'I shoot sort of like a documentarian, but I print like a painter.' He has also produced a number of interior shots featuring human figures; his models include his wife and former girlfriends.
Courtesy Reflex Amsterdam
We partner with the world's leading galleries to showcase their artists, artworks and exhibitions. Vetted by an acclaimed group of industry peers, our gallery membership is by application and invitation only.
Learn more about Ocula MembershipLeaders in art advisory with unparalleled visibility and access to the art world's most influential galleries, collectors and auction houses.
Learn more about our team and servicesCelebrating the people and ideas shaping contemporary art via intelligent and insightful editorial.
Learn more about Ocula Magazine