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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Melati Suryodarmo: Performance Art as Trigger Ocula Conversation Melati Suryodarmo: Performance Art as Trigger

In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Related Press

Critic's Guide: Shanghai

Alvin Li Frieze 9 November 2016
Austin Lee, Click Paint (detail), 2016, flashe acrylic on canvas, 1.1 x 1.8 m. Courtesy: the artist and BANK Gallery, Shanghai.

In June, a new local policy banning private entities from renting state-owned property meant BANK was evicted from its previous gallery space – the Union Bank building near Shanghai’s Bund district that gave the gallery its name. Now BANK has finally announced a solo by Austin Lee as the inaugural show of its new venue in Xuhui District. While the New York-based artist may have earned his reputation in North America and certain parts of Europe for his otherworldly paintings (as well as his hyped Instagram account), his presence in China is still relatively minimal, having only shown in the group exhibition Full of Peril and Weirdness curated by Robin Peckham and Wanwan Lei at M WOODS, Beijing, in 2015.

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