JOAN JONAS

Jonas began her decades-long career in New York’s vibrant Downtown art scene of the 1960s and ‘70s, where she was one of the first artists to work in performance and video. Drawing influence from literature, Noh and Kabuki theater, and art history, her early experimental works probed how a given element—be it distance, mirrors, the camera, or even wind—could transform one’s perception.

Joan Jonas: Good Night Good Morning presents drawings, photographs, notebooks, oral histories, film screenings, performances, and a selection of the artist’s installations. Jonas continues to produce her most urgent work through immersive multimedia installations that address climate change and kinship between species. ‘Despite my interest in history,’ she has said, ‘my work always takes place in the present.’

^{Organized by Ana Janevski, Curator, with Lilia Rocio Taboada and Gee Wesley, Curatorial Assistants, Department of Media and Performance. With thanks to Mitchell Herrmann, Mellon-Marron Research Consortium Fellow, and Molly Superfine, Brandon Eng, and Piper Marshall, former Mellon-Marron Research Consortium Fellows, Department of Media and Performance.}