
“I commit to making my work as round as the earthand my performances as compressed as water. I aimfor pedagogical meme pollination and maximumviewer titillation.” - Ana Prvački
1301PE is pleased to announce its fourth solo exhibition with acclaimed artist Ana Prvački.Prvački’s cross-pollinating approach informs a practice that ranges from works on paper to video,performance and mixed reality. In this exhibition, Prvački debuts a new series of watercolors:tapping into a spontaneous and fluid form of sense-making through image and text. Thetechnique of water-based painting dates to ancient times, and is interwoven into our visual lexiconas a ubiquitous representational tool through a myriad of cultures and art-historical spheresincluding fine art, illustration, and design. The precision of the hand combined with the fluidity andspontaneity of the medium lends itself well to Prvački’s formal and conceptual interest in the fluidtransitions between analogue and digital, tradition and future.
Within the scope of her practice these watercolors often inform her videos and digital projects,honing her ongoing observations and curiosity with subjects such as bees and honey, botany,evolution, eroticism, Paleolithic art, and storytelling. The playful and often humorous paintingscapture the viewer with their seeming naiveté, only to turn on their head and reveal latent urgentthemes of the current moment–themes such as ecology, sexuality, and mental health, to name afew.
Ana Prvački was born in Yugoslavia and lives and works in Berlin. Her solo exhibitions andprojects include the upcoming Gropius Bau, Berlin, Hammer Museum, Los Angeles; the IsabellaStewart Gardner Museum, Boston; Castello di Rivoli Museo d’Arte Contemporanea Turin; ArtistsSpace, New York; and the Institute of Contemporary Arts, Singapore. Her work has been includedin the following group exhibitions: 13th Gwangju Biennial, Korea, the 57th Oktobarski Salon,Belgrade, Serbia, 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, Istanbul,Turkey 2015, Contour Biennial in Mechelen Belgium 2015, dOCUMENTA 13 2012, SydneyBiennial 2007, Singapore Biennial 2006, the Turin Triennale 2005, and the Bangkok ArtsBiennale in 2020. The Los Angeles Philharmonic and the Chicago Architecture Biennial havecommissioned Prvački’s performances. In 2019 she was the de Young Museum artist inresidence where she created a solo exhibition in collaboration with Google Arts and Culture thatwon the 2020 Webby Award for its use of augmented reality.
Ana Prvački (b. 1976, Serbia) is a Los Angeles-based artist whose work draws on daily practices and social research. Her interventions are meant to transform the viewer’s perception and experience of daily life and routine, providing solutions to our everyday problems, worries, and fears. She explores social anxiety and the comedic potential of faux pas as well as the sociopolitical significance of welcoming the “other.” In her videos, services, concoctions and drawings, she uses a gently pedagogical and comedic approach in an attempt to reconcile etiquette and erotics. Prvački has produced a series of ideas catalogues (Ananatural Production catalogues) with the intention of filing and documenting her imagination. Some of the thoughts have been realized as performances. She has shown in numerous international venues including: SMART Museum (Chicago), Bloomberg (NY), Lombard-Freid Projects (NY), Art in General (NY), Isabella Stewart Gardner Museum (Boston), Centre Pompidou (Paris), Castello di Rivoli Museo d’Arte Contemporanea (Turin), Sydney Biennial, Singapore Biennial, the Turin Triennale and 2017 Chicago Architecture Biennial.

Founded by Brian Butler in 1992, 1301PE is a contemporary art gallery exhibiting significant Los Angeles based artists as well as internationally established and acclaimed artists. The gallery is known for its exhibition of significant work across mediums. Founded on the principle of promoting Los Angeles artists worldwide, the gallery has been located at its current location in Miracle Mile, Los Angeles since 1998.

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