
1301PE is pleased to present its fourth solo exhibition with Mexican artist Jorge Méndez Blake titled I remember it was raining... The exhibition centers around Méndez Blake’s dismantling of American poet Elizabeth Bishop’s (1911-1971) poems Dimensions for a Novel, The Flood, Electric Storm and Rain Towards Morning. These component parts will coalesce as paintings and a ceiling mural. Two additional large paintings using the form of the famous calligrammes by Guillaume Apollinaire (1880-1918) will continue his Il Pleut Fort paintings.
”...writing is itself a kind of construction and reading is a way of creation.” -Jorge Méndez Blake For more than twenty years, Méndez Blake’s use of structure, both literary and physical, has always been of paramount importance. His use of the concrete poetic form becomes an important focal point, concentrating and distilling the artist’s varied interests around language, form, meaning-making and our relationship to life.
Jorge Méndez Blake’s (b. 1974) work has been the subject of solo exhibitions in museums, including a commission for the Bass Museum in Miami (2022); the Museo Tamayo (2020) and the Museo de Arte Moderno (2019); MARFA Contemporary (2017); the Kunsthalle Mulhouse (2015); the Museo Universitario Arte Contemporáneo (2015); the Museum of Contemporary Art Denver (2014); Museo D’Arte Contemporanea Villa Croce (2012); the Museum of Latin American Art, Los Angeles (2010). His work has been part of group shows at the National Gallery of Victoria (2017); the Hessel Museum of Art (2016); the Museum of Contemporary Art Santa Barbara (2014); the Frankendael Foundation (2013); the Queensland Art Gallery, Australia (2013); the Fundación Marcelino Botin (2012); the Aspen Art Museum (2012); the Museé d’Art Moderne (2011); Artspace (2011); the Bass Museum (2009); the Stedelijk Museum Schiedam (2009) and the Casa Encendida (2005).
Méndez Blake’s work will be part of Art Basel Unlimited in Basel this June.






Jorge Méndez Blake (b. 1974) is a mixed-media, conceptual artist from Guadalajara, Mexico, whose work revolves around books, libraries and literature. An architect by profession, Méndez Blake has evolved a conceptual language, both reductive and metaphorical, that translates literary texts into images, sculptures and installations – referring to the great masters of universal literature, such as William Shakespeare, Jules Verne, Franz Kafka and Jorge Luis Borges, among many others.. Based on his belief that “writing is itself a kind of construction and reading is a way of creation”, he transforms the literary into the spatial thereby giving a physical dimension to the act of reading. His work focuses on the themes classic authors pose through their books, as well as the value of literature as a means of communication and a depository of knowledge; quite fittingly, Mendez Blake produces and catalogues his work in a series of conceptual chapters, each focusing on a different theme, author or approach. Mendez Blake also explores the notion of “library”, understood not only as a receptor that accumulates knowledge, but as an object with infinite formal possibilities; an institution whose purpose is the preservation of books and the dissemination of knowledge. The artist sees libraries not as isolated buildings, but as constructions that hold inexhaustible sources of information, and are thus able to create microsystems that address specific issues such as landscape or love.

Founded by Brian Butler in 1992, 1301PE is a contemporary art gallery exhibiting significant Los Angeles based artists as well as internationally established and acclaimed artists. The gallery is known for its exhibition of significant work across mediums. Founded on the principle of promoting Los Angeles artists worldwide, the gallery has been located at its current location in Miracle Mile, Los Angeles since 1998.

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