Press Release

1301PE is pleased to announce its ninth solo exhibition with acclaimed British painter Paul Winstanley entitled Utility. For the past four decades, Winstanley’s paintings have investigated vacant spaces, the commonplace, and the dystopic, and, more fundamentally, painting’s ability to transform these familiar and occasionally melancholic landscapes into the sublime.

“Reality can often seem dismal and lacklustre compared with images of it. Pictures of all sorts mythologize reality, enlarge it, give it meaning.” – Paul Winstanley

In Utility, Winstanley’s new paintings continue or return to familiar themes: the veiled window view onto nature, the empty lobby, the graffitied subterranean pedestrian walkway. These empty interiors feel suspended in time. They are waiting; calmly yet insistently questioning how images, spaces, and meaning are produced.

Paul Winstanley was born in Manchester in 1954. He lives and works in London. His first retrospective Paintings 1989-2007 was held at ARTSPACE in Auckland, New Zealand. Institutional solo exhibitions of Winstanley’s paintings have been presented at Tate Britain and Camden Arts Centre in London. Selected exhibitions include Opposing Forms, Pallant House Gallery, Chichester (2025); Contemporary Collecting: David Hockney to Cornelia Parker, The British Museum, London (2024); Family Affair, Bunker Art Space, West Palm Beach (2023); Conversations, Irish Museum of Modern Art, Dublin (2015); Aesthetic Harmonies: Whistler in Context, Colby Museum of Art, Waterville (2015); Art and Existence, Esbjerg Kunstmuseum, Esbjerg (2013); Lifelike, Walker Art Center, Minneapolis; New Orleans Museum of Art, New Orleans; Museum of Contemporary Art, San Diego; The Blankton Museum of Art, Austin (2012/2013); The Deer, Le Consortium, Dijon (2012); Out of Focus: After Gerhard Richter, Kunsthalle Hamburg (2011); Conflicting Tales: Subjectivity, Burger Collection, Berlin (2009); Self as Selves, Irish Museum of Modern Art, Dublin (2009); Inside Architecture, Museum of Contemporary Art, Los Angeles (2008); 8 Visions, One Dream, Today Art Museum, Beijing, China (2008); and Telling Tales: Narrative Impulses in Recent Art, Tate, Liverpool (2001).

Winstanley’s work is represented in numerous institutional collections including British Museum, London; British Government Art Collection, London; Burger Collection, Berlin; Fonds National d’art Contemporain, Paris; Henry Art Gallery, Seattle; Irish Museum of Modern Art, Dublin; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Rochechouart; Museum of Modern Art, New York; Musee d’art Contemporain, Sintra; New York City Public Library, New York; Pallant House Gallery, Chichester; Tate, London; and Victoria and Albert Museum, London.

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Installation Views

Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
Exhibition view: Paul Winstanley, Utility, 1301PE, Los Angeles (21 February–4 April 2026). Courtesy 1301PE.
About the Artist

Paul Winstanley (b. 1954 in Manchester, UK) is best known for his delicate paintings from photographs, which pull beauty from quotidian environs with tactile precision. Wavering between photographic realism and painterly softness, Winstanley’s works call into question the quiet psychology of public and private spaces. The role of the viewer is central to an understanding of Winstanley’s paintings and his occasional use of the figure echoes that active passivity. Engrossed, they watch, look, wait, smoke, phone, text. Schooled in the orthodoxies of abstract Modernism, Winstanley spent a decade after studying at Cardiff College of Art from 1973-76 and the Slade from 1976-78 establishing a new visual language, combining the tenets of minimalism with the pictorialism of photography. His breakthrough showing of the large painting ‘Walkway’ at the Whitechapel Open in 1989 won him the first prize Unilever Award.

View Artist Profile Paul Winstanley contemporary artist
About the Gallery

Founded by Brian Butler in 1992, 1301PE is a contemporary art gallery exhibiting significant Los Angeles based artists as well as internationally established and acclaimed artists. The gallery is known for its exhibition of significant work across mediums. Founded on the principle of promoting Los Angeles artists worldwide, the gallery has been located at its current location in Miracle Mile, Los Angeles since 1998.

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