
The spring of 2018 is approaching. In this warm season, A Thousand Plateaus Art Space will bring two solo exhibition of two emerging artists Feng Bingyi and Wang Jun. As the spring brings hope to people, their works construct a world that belongs to themselves with the great courage, they carry their faith, reason, and the groundbreaking view of the world to complete the creation for this exhibition, and this is only a small part of their long creative lead. The respective main parts of their exhibitions are also made up from their own narratives.
Feng Bingyi’s exhibition choses the theme ’Fool’s Gold’, it is a copper mine whose weight and appearance are extremely close to the gold, has tricked many gold rushers. Its scientific name is ‘pyrite’. When people see what they have been always searching for, is actually in front of them, are they willing to be tricked by it? Even just for a moment of the visual satisfaction? Feng Bingyi’s work is based on humanistic concerns, but is full of unexpected ‘logical collages’ and ‘imagery jumps’, all of which are just to make those unspeakable things look better and more sincere. Here’s her statement - or text paving, let’s take a look:
Fool’s Gold
Gold Rush Road is certainly a long road, cross over the mountains for 15 days, my backpack tape like a blade cutting causese me a lot of pain. I am not a clown, I will not fall back. I do not need you to tell me what happened.
Sink sink and sink.
I stand alone–I look at you. I see you sinking.
I stand alone–you are weighing the gold. I watch you sinking.
These boots are for walking, Marquis de Sade does not wear such boots.
Gold is at the corner, the collapse follows.
Sometimes you have to work hard to deal with it.
I know the truth, I know what you’re thinking.
Fool’s gold.
Suppose my works are the boots, but these boots are not for walking.
They are just the anchors in this symbolic world.
Do not suspect whether what you have seen is the real gold or the fool’s gold.
Or keep suspecting.
The key words of this solo exhibition are: sink, submerge, chase, fool’s gold
Feng Bingyi was born in Ningbo in 1991 and is currently based in Shanghai. She graduated from School of Intermedia Art (SIMA), China Academy of Arts, China in 2013 with Bachelor of Art, and graduated from Chelsea college of Arts, University of Arts London, UK in 2015 with Master of Art: Distinction.
A Thousand Plateaus Art Space was founded in 2007 in Chengdu, China. It is a professional gallery committed to present and promote China’s contemporary art. Equipped with exhibition hall for artworks and collection and screening room for video data, it is mainly on researching, presenting and promoting outstanding works and experimental projects of China’s contemporary art and culture, actively carries out domestic and international cooperation projects.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services