
Almine Rech Shanghai is pleased to announce Domes, Gerasimos Floratos’ third solo exhibition with the gallery, on view from September 6 to October 31, 2024.
Welcome to pure hybridity, that exquisite oxymoron of honest contradiction at the heart of Gerasimos Floratos’s art. Here that which is essential, elemental, and primal collides in a chorus of the unexpected, singular truths belied by the lie of the multitude, authenticity earned like a scarred and battered street cred, the most direct mode of communication visual culture can afford turned like a wiener on a food cart by the hubbub of it all, heard above all the nonsense because it too is an anxious form of deep listening. His pictures are like the contemplation of an assault, the mark making of what leaves its mark but never signs its name, the self as reduced to an anonymous language of desperate gestures. In the city you can sleep through anything—screams, sirens and love songs, all the background noise of our deafening isolation; and in Floratos conjuring the silence deep within the din, thin as the oxygen in our thick-fumed air, these are the sounds that make it through, that wake us from our uncomfortable dreams, uncertain and fleeting, a thrill tinged with dread, the late night ‘Lullaby of Broadway’.
Gerasimos Floratos (b. 1986) lives and works in New York City. Floratos grew up enmeshed within the overwhelming sensorial experience that is Times Square, the pounding commercial and touristic heart of the city, a place the artist refers to as ‘the centre of the centre’. To this day, his studio is stationed there, where he continues to work and live. Surrounded by the restlessness of midtown Manhattan, Floratos uses the hyper-charged atmosphere of his neighbourhood as a springboard for deeper explorations of the urban matrix and the human subconscious. Impastoed paintings that are at once luminous and torpidly congested feature a rotating cast of anthropomorphic creatures: sauntering pedestrians, skyscraper bouquets, honking commuters, trudging oversize shoes, and hands with gigantic mushrooming fingers. Laden with the sonic qualities of city life, Floratos’ psycho-figurative bodies simultaneously map the internal workings of the artist’s mind, and the visceral experience of his physical environment in what he describes as a form of ‘psychogeography’, a term borrowed from Guy Debord, a founding member of the Situationist International movement of the 1960s. By examining the ways the urban environment shapes our lived experience, Floratos captures the chaotic and anxious pace of the city, creating dense spaces crowded by larger than life subjects that radiate the oblivious audacity of big city personas.




Almine Rech opened its doors on April 1st, 1997 in the 13th arrondissement in Paris. The gallery was founded on an axis of California Minimal, Perceptual art and Conceptual art, representing artists such as James Turrell, John McCracken and Joseph Kosuth.

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