
Axel Vervoordt Gallery is pleased to present an intimate exhibition dedicated to the pure, white Moon Jars of Korean pottery master Kwon Dae-Sup (°1952).
A Moon jar is a type of traditional Korean plain white porcelain which was originally made during the late 17th through 18th century, the late period of the Choson Dynasty (1392-1910). The name comes from its shape and milky color of the glaze to remind of full moon. At the time they represented the epitome of the austere Confucian virtues of purity, honesty and modesty. Because of their form they were also thought to represent the embracing, gentle qualities of woman and fertility. It requires difficult and exact skills in throwing the two halves that make up the completed jar. Furthermore a careful firing schedule is needed at high temperatures to fuse them successfully. This simple form revered by the Korean people for hundreds of years still resonates today.
Kwon Dae-sup is a Korean contemporary pottery master known for his series of Moon Jars. Originally trained as a painter in Honkik University, Kwon was introduced to moon jars in 1970s and became so fascinated that he changed his course of life to pottery. While keeping the tradition of Korean pottery, he attempts to communicate the aesthetics of moon jars to audience of the contemporary world by transferring essential traits of simplicity and a sense of modesty. He breaks all the works that does not satisfy him. He throws away everything that does not move his soul.
The process of developing the Moon Jar—as Kwon Dae-Sup explains—could not be accomplished without the help of nature. ‘Creating soul of pottery begins with the fire,’ he says.
His works has been exhibited in Kojima Gallery, Tokyo and Seomi Gallery in Seoul and acquired by the National Folk Museums of Korea, National Museum of Mexico, and Leeum, including many others.

Kwon Dae-Sup is a Korean artist known for his contemporary renditions of moon jars, a traditional form of Korean porcelain named after their round shape.




The Axel Vervoordt Company and Axel Vervoordt Gallery are located at a site known as Kanaal–a converted industrial distillery that has become a cultural and residential community.

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