Modern technology, the recording of time, and the documentation of movement come together in Susan Morris's work. By using digital tracking devices worn on the body, the artist records her daily routine or seemingly repetitive gestures to produce images that reveal a body caught up in the machinations of clock and calendrical time. At the centre of Morris's practice, explored through a range of different media, is the very traditional idea of an artist's self-portraiture serving as a commentary on subjectivity in general.