
Each generation inherits a world it did not create. What we carry forward, and what we choose to change, shapes what comes next. In Yesterday, Today and Tomorrow, Frans Smit explores this relationship through a new body of paintings concerned with time, transformation and renewal.
Traditional oil-painting techniques meet airbrush and spray paint, while flowers, insects and unexpected objects suggest the fragile cycles of life. Flies evoke decay; butterflies suggest the possibility of change. These encounters bring the historical language of still life into a contemporary world.
Having turned fifty this year, Smit is also reconsidering his own relationship with painting. Working slowly through successive layers, he is allowing greater time for discovery and refinement. The exhibition emerges from this willingness to question familiar methods and remain open to what lies ahead.
The title holds these enquiries together. Yesterday encompasses both the history of painting and Smit’s own accumulated experience. Today is the space of making, where inherited knowledge meets intuition, experimentation and the unexpected. Tomorrow remains open: something discovered through painting rather than determined in advance.
Within the still life, these ideas become tangible. Flowers bloom and fade; insects signal both deterioration and renewal. Objects gathered within a single composition carry different associations, bringing beauty into proximity with impermanence. Smit invites us to spend time with these encounters and consider how the past continues to shape what we see, and what we might yet become.

Based in Cape Town, Smit has exhibited in over forty exhibitions all over the world and has a string of dedicated devotees and collectors of his distinctive portraits and still lives. Working predominantly in oils, his deeply layered pieces are indicative of techniques and inspiration that take their leave from 13th-17th century traditional European portraiture and still lives, but with Smit, the classics are given a definitively contemporary somewhat absurd, and undeniably compelling twist. The effect of his hybrid artworks ensures the viewer is compelled to step in, to discard their previous experiences of portraiture and oil painting, and to appreciate that Smit has indeed created his own visual language.
What started as an idea and a passion to assist and empower artists over the course of time evolved into the establishment now known as one of South Africa’s leading contemporary art galleries.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
