Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Felix Gonzalez-Torres (American, b. Guáimaro, Cuba 1957, d. Miami, Florida 1996) began his art studies at the University of Puerto Rico before moving to New York City in 1979, where he attended the Whitney Independent Study Program, first in 1981 and again in 1983. He received his BFA from Pratt Institute, New York, in 1983 and his MFA from the International Center of Photography and New York University in 1987.
From 1987 to 1991, Gonzalez-Torres was a part of the artist collective Group Material, whose collaborative, politically-informed practice focused on community engagement and activist interventions. In 1988, he had his first one-man exhibitions, at the Rastovski Gallery, New York, INTAR Gallery, New York, and the New Museum of Contemporary Art, New York. His earliest billboard work, Untitled, 1989, was installed at New York's Sheridan Square on the occasion of the twentieth anniversary of the Stonewall Rebellion. In 1990, a solo presentation of Gonzalez- Torres's work served as the inaugural exhibition of the Andrea Rosen Gallery, New York.
Felix Gonzalez-Torres: Traveling, a survey of the artist's work, was presented at the Museum of Contemporary Art, Los Angeles, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., and the Renaissance Society at the University of Chicago in 1994. In 1995, the Solomon R. Guggenheim Museum, New York, organized an international traveling retrospective of his work. The artist participated in numerous group shows during his lifetime, including early presentations at Artists Space and White Columns in New York (1987 and 1988, respectively), the Whitney Biennial (1991), the Venice Biennale (1993), and the San Francisco Museum of Modern Art and the Art Institute of Chicago (both 1995).
Gonzalez-Torres died in 1996 from AIDS-related complications. In 1997, the Sprengel Museum Hannover, Germany, organized a traveling posthumous solo exhibition and published a catalogue raisonné of the artist's work. Further solo exhibitions of his work were held at such institutions as The Art Gallery of South Australia, Adelaide, 1998; The Douglas Hyde Gallery, Dublin, 1999–2000; El Museo Nacional de Artes Visuales, Montevideo, Uruguay, 2000–2001; Serpentine Gallery, London, 2000; Le Consortium, Dijon, 2002; and Hamburger Bahnhof, Museum für Gegenwart, Berlin, 2006. In 2007, Gonzalez-Torres was selected to represent the United States at the 52nd Venice Biennale.
More recently, in 2010-2011, WIELS Contemporary Art Center, Brussels, organized a six-part traveling retrospective, Felix Gonzalez-Torres: Specific Objects without Specific Form, which was also presented at the Fondation Beyeler, Basel, and Museum für Moderne Kunst, Frankfurt. At each institution, Elena Filipovic curated a retrospective version of the exhibition which was reconsidered midway through its run by a collaborating artist-curator: Danh Vo, Carol Bove, and Tino Sehgal, respectively. Further exhibitions devoted to the artist's work have been held at PLATEAU and Leeum, Samsung Museum of Art, Seoul, South Korea, 2012; Metropolitan Arts Centre, Belfast, Northern Ireland, 2015; and Rockbund Art Museum, Shanghai, China, 2016.
Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.
There are only two lines of text on the pitch-black billboard Felix Gonzalez-Torres debuted in 1989, but every word bears the weight of LGBTQ history:People With AIDS Coalition 1985 Police Harassment 1969 Oscar Wilde 1895 Supreme Court 1986 Harvey Milk 1977 March on Washington 1987 Stonewall Rebellion 1969
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