
Joyful Sorrow, Chris Ofili’s first solo presentation in France, comprises a new series of paintings, titled Othello—Shroud, which develops the artist’s relationship with William Shakespeare’s The Tragedy of Othello, the Moor of Venice (1603–04). This two-site exhibition is staged in partnership with Victoria Miro, which presents its other constitutive iteration, featuring a series of works on paper titled Othello—Reflection, in its Venice gallery from October 26 to December 14, 2024. These exhibitions are commemorated with a joint publication in collaboration with the scholar, poet, and writer Jason Allen-Paisant, now available to order.
Chris Ofili creates intricate, kaleidoscopic paintings and works on paper that deftly merge abstraction and figuration. Ofili rose to prominence in the 1990s for his complex and playful multi-layered paintings, which he bedecked with a signature blend of resin, glitter, collage, and, often, elephant dung. His recent works—vibrant, symbolic, and frequently mysterious—draw upon the lush landscapes and local traditions of the island of Trinidad, where he has lived since 2005. Employing a diverse range of aesthetic and cultural sources, including, among others, Zimbabwean cave paintings, blaxploitation films, Italian soccer player Mario Balotelli, and modernist painting, Ofili’s work investigates the intersection of passion, identity, and representation.





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