JOAN MITCHELL

David Zwirner is pleased to announce an exhibition of paintings by Joan Mitchell (1925–1992) that focuses on the years 1960 to 1965, a brief but critical juncture in the artist’s development. Capping off a yearlong celebration of the centennial of the artist’s birth, this presentation is curated by Sarah Roberts, Senior Director of Curatorial Affairs at the Joan Mitchell Foundation, and brings together a significant group of paintings and works on paper from public and private collections, as well as that of the Joan Mitchell Foundation.

During these years, Mitchell spent many weeks each summer and fall living on a sailboat and touring France’s Côte d’Azur with her companion, painter Jean Paul Riopelle, and her works from this period are inflected by these voyages and the sites of the Mediterranean. Back in her Parisian studio, Mitchell drew on the experience of looking out at the water, horizon, and rocky coasts, resulting in paintings that depart radically from those of the preceding years, and are distinct from those that would follow. Characterized by dark, central masses of swirling brushstrokes in deep greens and blues partially obscuring rich tonal colors embedded beneath, these turbulent canvases exchange the grounding armature that had structured much of her previous landscape-inspired work for more experimental compositional strategies. Constituting, as the poet John Ashbery described, “an unhurried mediation on bits of landscape and air,” the profound, dramatic works on view here offer insight into Mitchell’s singular process in evolving the structural and chromatic composition of her paintings, while dynamically engaging many of the key themes and motifs that extend throughout her oeuvre.