
Dep Art Gallery in Milan is delighted to present ’ Regine Schumann, Iris ’, curated by Alberto Mattia Martini. This third solo exhibition dedicated to Regine Schumann (Goslar, Germany, 1961) showcases about 20 works tracing the evolution of her artistic production up to the recent ‘corners’ series. In this series, Schumann experiments with greater dynamic complexity between material, light, and the observer, through the introduction of new visual planes.
In Greek mythology, Iris is the messenger of the gods and the personification of the rainbow, considered a bridge between heaven and earth, uniting different worlds. This symbolism is intimately linked to Schumann’s work, where her pieces create a profound connection between the material - plexiglass, and the immaterial - light. The title ‘Iris’ perfectly resonates with Regine Schumann’s work, highlighting her meticulous and in-depth investigation of the relationship between light and colour.
Curator Alberto Mattia Martini states: ‘In Regine Schumann’s works, colour and light become one, transcending reality and immersing the viewer’s eye in a timeless dimension, without boundaries. The artist’s new body of work deepens the constant dialogue between chromatic irradiation of colour and the iris (Iris) of the observer, offering a unique visual experience filled with mystery and fascination. The continuous interplay of artificial and natural light, shadow, colour, and space transforms into a dynamic artistic composition, in a perpetual change that seems to induce the chromatic surface to vibrate and come to life. Exploring the emotional and symbolic potential of colour and the ability of light to shape perception, Regine Schumann has created new works with one or more rounded corners, reminiscent of Mark Rothko’s large rectangles, where the painting seems to evaporate the contours, giving life to works distinguished by their visual intensity and conceptual depth. The plexiglass sheets create layers of monochromatic pigment from which light emerges like an epiphany, forging surfaces of energy, pervading and interacting with the space that welcomes them.’
Press release courtesy Dep Art Gallery















Regine Schumann studied art from 1982 to 1989 at the Hochschule für Bildende Künste Braunschweig. In 1989, she became a Masters student of Roland Dörfler. From 1986 to 1994 she was a member of the artist group Freiraum, consisting in Frank Fuhrmann, Dieter Hinz, and herself. In addition to numerous scholarships (including a DAAD-scholarship for Italy in 1990 and a grant from the state of North Rhine-Westphalia for Japan in 2000) and commissions for public artworks, she received the Leo Breuer Prize in 2006. In her practice, Regine Schumann focuses on the effects of light caused by fluorescent materials. Some of the materials she uses are coloured polylight-cords and different coloured acrylic panels, which she assembles into complex colour spaces in accordance to Goethe’s theory of colours. The artist also uses blacklight to complement other colours. The emphasis of her room-specific installations is the extension of the existing architecture into a dimension of vibration and–as she calls it–the configuration of a room temperature: ‘The inclusion of sculptural principles as hanging, laying, arranging, conjointing, jacketing is characteristic of the work of Regine Schumann and leads towards a thinking in colours and colour spaces in a spatially experiential plasticity.’ Regine Schumann describes her method of operation thusly: ‘It’s the material of the colored and fluorescent acrylic glass that takes an important role in my work. The material used illuminates when light energy is supplied to it, whether in the form of natural daylight or artificial light. Differently coloured plates depending on the location lead towards a candling, laying, blending, and selection of the light itself.’
Opening in Milan in 2006 with Mario Nigro’s solo exhibition Opere di Mario Nigro, Dep Art Gallery presents compelling artworks by modern and contemporary Italian and international artists. The gallery moved into its current location in Via Comelico, a former school with substantial exhibition spaces, in 2015. Dedicated to presenting contemporary Italian art, Dep Art Gallery has also been the Turi Simeti archive centre—archiving the artist’s legacy and producing a catalogue raisonne of artworks on canvas—since 2013.

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