
Gagosian is pleased to announce Waterfall, an exhibition of new works by Jennifer Guidi opening on September 3 at the rue de Ponthieu gallery in Paris.
Guidi draws inspiration for this body of work from places she has experienced and imagined, expressing her meditations on the natural world and inner landscapes through vibrant colors and forms. She abstracts the elemental structures of nature to envision the convergence of the distinct yet interconnected forces that shape its features. The radiant sun or moon centered in her paintings illuminates shorelines and beaches, gentle hills and soaring mountain ranges, placid oceans and cascading waterfalls. “We can all relate to the feeling of being in nature,” Guidi notes, “walking on the beach, looking at a sunset, and knowing that this world is much larger than we are. I’m trying to gather all of that, take what I can from it, and put it onto canvas.”
Guidi conveys the dynamism of landscape through saturated colors and gradients. Bright pinks, violets, oranges, and yellows coalesce into passages of land and shore, juxtaposed with the blues and greens of oceans and lakes and the white of moving water. Like the sand that comprises their grounds, the paintings are developed as accumulations of discrete brushstrokes brought together into a greater whole. This approach adapts the formal innovations of Pointillism introduced by Georges Seurat and Paul Signac, dispersing a multitude of colorful dots across the canvas to create tremendous chromatic intensity.


Jennifer Guidi creates paintings notable for their luminosity, texture, and sculptural presence. Her swirling, mandala-like compositions oscillate in colour and texture, inspiring shifts in perceptual awareness to forge new sensory horizons. Each painting is methodically executed through a unique process—at once systematic and organic—which reflects the connection of her painting practice to strains of Minimalism that privilege attention to detail and repetition. Her sculptural markings evoke an intensely meditative sense of narrative and spiritual votive. Guidi’s richness of palette and trademark use of sand as a medium link her mode of abstraction to tactile experiences of the natural world, from light permeating the landscape at dawn to the hazy atmospheric conditions of the West Coast.





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