Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...
Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Gagosian is pleased to present new paintings and works on paper by Spencer Sweeney, in his first exhibition with the gallery in Paris.
Working in an energetic style that is at once playful and primal, Sweeney balances chaotic strokes of pigment with calculated repetitions of silhouettes and motifs. At the centre of this exhibition is a trio of Sweeney’s acrylic, charcoal, and oil bar paintings that fill the gallery walls from floor to ceiling, constituting the most recent instalments in his ongoing series of figures in repose. With one arm resting atop a bent knee and the other propped up against the ground, these humanoid forms reference the ubiquitous reclining nude from Western art history.
The image of the reclining body recurs throughout the exhibition, appearing in numerous colour combinations and physical orientations across Sweeney’s mixed-media drawings–endless variations on a corporeal theme. Featuring a dazzling array of hues, these raucous works incorporate elements of the fantastic: legs morph into snakelike S shapes; bodies become linear arrangements of triangles and zigzags.
Also on view is a group of pencil-on-paper drawings that expand upon Sweeney’s 2018 exhibition of self-portraits at Gagosian New York. Arrestingly simple in line and colour, these pared-down compositions vaguely bear Sweeney’s likeness, but they ultimately divulge his greater intent to create conceptual, ambiguously gendered portraits infused with a surreal sense of humour.
Sweeney further extends the rich dialogue between his own works with another large-scale painting of a reclining figure–this time with its body parts pulled apart and scattered over a sea of bright red acrylic pigment, exploring the breaking point between representation and abstraction. In a process akin to the impulsive musical rhythms and energies of improvisational jazz, Sweeney condenses the human body down to its most basic components before enlivening this distilled image with unpredictable interjections of shape, colour, and pattern.
Smalls is presented in the Project Space location of Gagosian Paris. On view in the ground floor gallery is Leo, a solo exhibition of works by Urs Fischer.
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