
For his debut solo exhibition with Hauser & Wirth, New York-based artist Daniel Turner will present works created from salvaged and recontextualized materials extracted from the Mandalay Generating Station, a decommissioned power plant in Oxnard, California. Turner’s transformation of remnants from the former electrical plant into a series of paintings, drawings, sculptures, and film echoes a calibrated process of material distillation and site-responsive reflection.
Turner’s focused examination of the properties of alloys has led to large-scale paintings that utilize copper components extracted from the Oxnard site. Once removed, the material was spliced through an intricate milling process into refined copper wools. Subsequently, these wools were methodically burnished into the surface of the canvas, resulting in achromatic veils within his picture planes.
In the sculpture ‘Channel Conduit,’ a coiled arrangement of materials stripped from the plant’s infrastructure, which once facilitated the induction of seawater for temperature regulation, is displayed on the gallery floor.
Turner’s latest film ‘Oxnard Harbor’ features aerial footage captured via drone depicting the vacated generating station. Set against the dramatic backdrop of the Pacific Ocean, the monumental architecture points to the facility’s once substantial production of electricity for the greater Los Angeles regio
Press release courtesy Hauser & Wirth
Daniel Turner (b. 1983 in Portsmouth, VA; lives and works in New York) is a visual artist working primarily in sculpture involving the creation or manipulation of materials, objects and environments into tactile or atmospheric forms. These forms are often characterized by a specific response to an environment under a controlled set of processes. This approach has enabled Turner to base form on transposition, preserving a sensory link to geographical locations, cultural associations and human contact. These elements are present in former works where an entire waiting room is cast into a series of solid bars, a psychiatric facility burnished to a darkened stain against an exhibition wall, or a cafeteria dissolved across the expanse of a floor.




Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. The gallery represents over 70 artists and estates who have been instrumental in shaping its identity over the past quarter century, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art, education, conservation and sustainability.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services