
Featuring previously unseen works, this exhibition centres on Luchita Hurtado‘s Sky Skin canvases. Beginning in the mid-1970s, Hurtado’s gaze turned upwards, inverting the downward-facing perspective of her earlier I Am paintings. A selection of drawings merge the series, as the breast, stomach and knee viewed from a down-cast angle transform into rolling mountains in a continuation of the artist’s imaginative and deceptive experimentation with figurative landscapes.
Hurtado’s skies are often encircled by craggy earth, referencing the mountains of Taos, New Mexico where Hurtado spent her summers, as well as the hills of Santa Monica Canyon, where the artist resided the remainder of the year. The smooth and earthen landscapes open to masterful constructions of skies revealing the shape of stretched animal hides punctuated by airborne entities of clouds, moons, and feathers. Born in Maiquetía, Venezuela in 1920, Luchita Hurtado dedicated over eighty years of her extensive oeuvre to the investigation of universality and transcendence. Developing her artistic vocabulary through a coalescence of abstraction, mysticism, corporality and landscape, the breadth of her experimentation with unconventional techniques, materials and styles speak to the multicultural and experiential contexts that shaped her life and career.
Born in Maiquetía, Venezuela, in 1920, Luchita Hurtado has dedicated seventy years of her painting and drawing practice to the investigation of universality and transcendence. Developing her artistic vocabulary through a coalescence of abstraction, mysticism, corporality and landscape, the breadth of her experimentation with unconventional techniques, materials and styles speak to the multicultural and experiential contexts that have shaped her life and career. Hurtado emigrated to the United States in 1928, settling in New York where she attended classes at the Art Students League. She relocated to Mexico City in the late 1940s and, in the following decade, moved to San Francisco Bay, making frequent visits to Taos, New Mexico, and ultimately settling in Los Angeles.




Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. The gallery represents over 70 artists and estates who have been instrumental in shaping its identity over the past quarter century, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art, education, conservation and sustainability.
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